Tag Archives: #black & white film

Overgrown freight wagon—Prague

On a visit to Prague, Czech Republic in October 2016, I bought several rolls of locally produced Fomapan black & white film.

At a suburban station to the east of the city center, I made this view of an old four-wheel freight wagon parked on a siding and consumed by the local vegetation.

This photo is a scaled Jpg from the original scanned negative. I made no adjustment to the scanned file in regards to contrast, exposure or sharpness.

Fomapan 100 black & white film exposed with a Nikon F3 camera.

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Semmering Monochromes

This represents another experimental series of scans with my V600 and recently downloaded Epson Scan 2 (6.4.99.0) software.

I’d purchased my Epsom V600 about 2011 to replace an earlier Epson V500 scanner that had suffered a failure. Until recently I was using the original Epson software to drive the V600. The other night I decided to upgrade the software and install it on a more modern & much faster Apple MacBook Pro.

Although Epson’s Scan 2 software appears to have been on the market for a while, I’d just discovered it the other day. More to the point, I’ve found that it vastly improved my scans. This scanner-driver software combination offers greater clarity, exceptional sharpness, and runs faster and more consistently which allows the same scanner to perform noticeably better than with the earlier Epson driver.

I’d exposed this medium-formet Kodak Tri-X 400 ISO black & white film using my Rollei Model T, while exploring Austria’s Semmering Pass with photographer Denis McCabe in August 2003. On a warm afternoon we waited out a thundershower at the station shelter in Breitenstein.

 I’d processed the film after my return to Dublin using Ilfotec HC liquid developer which offered broad tonal range and very fine grain.

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Dublin Monochrome Sunset—12 APril 2003.

I’d just returned to Dublin from Belfast on an Irish Railway Record Society special train.

Working with my Contax G2 rangefinder loaded with Fuji Neopan 400 black & white film, I composed this silhouette of the signals and buildings near Dublin’s Connolly Station.

I processed the film using Agfa Rodinal Special mixed 1-32 for 3 minutes 45 seconds at 70 degrees F. I scanned the negatives last year with an Epson V600 flatbed scanner.

This post was prepared in advance as I am ‘off the grid’ for a few days.

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