Tag Archives: #Altoona

Horseshoe Curve—Film & Digital

I’ve often carried multiple cameras.

In the mid-1980s, I’d have a Leica rangefinder loaded with Kodachrome and my father’s Rolleiflex Model T with 120-size Verichrome Pan black & white negative film.

In the 1990s, it was multiple Nikons with slide film with various ISO sensitivity.

During the early 2000s, I worked with a Contax G2 rangefinder for wideangle photos and Nikons for telephoto views—all loaded with 100 speed Fujichrome.

Today, I carry Nikon mirrorless digital cameras, and occasionally a Lumix or Fujifilm digital camera, while once in while bringing out one of my 1990s-era Nikon F3s loaded with Ektachrome.

Such was the situation at Horseshoe Curve last October.

Here I’ve made two photos of the same westward Norfolk Southern hopper train. The first photo was exposed on E100 Ektachrome using the F3 with f2.0 35mm lens; the second is a digital photograph made with my Nikon Z7-II.

This comparison is about style, rather than image quality. I make different kinds of photos using different equipment and materials. There’s no ‘right’ or ‘wrong’. I have both images and they both work for different reasons.

E100 Ektachrome with a Nikon F3 SLR with Nikkor AF f2.0 35mm lens
Nikon Z7-II mirror-less digital camera with 24-70mm lens. The image has been slightly cropped.

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The World Famous Horseshoe Curve

In the world of railways there are many horseshoe curves. I’ve visited many of these over the years: Utah’s Gilluly Loops; California’s Caliente Horseshoe in the Tehachapis; the famous Stanford Curve on Donner; and Oregon’s Leonard horseshoe among others.

While impressive, none compare to the World Famous Curve on the former Pennsylvania Railroad near Altoona, Pa.

This is more than just a horseshoe curve. It is among the great cosmic settings for American railroading and icon of 19th century railroad building. I don’t know if there’s much I can write about the Curve that hasn’t been written before. My friend Dan Cupper wrote a book on the subject (years ago my copy fell apart from over use).

I paid my first visit to Horseshoe Curve with my family back in August 1981. In the mid 1980s, my pal TSH and I made myriad trips to this Mecca of Pennsylvania railroading. Kris and I traveled here together for the first time three years ago.

In October, Kris treated me to a 58th Birthday visit to Altoona, including a pilgrimage to the Curve.

My curve ears started ringing about 1/3 the way up the stairs from the visitor’s center to the park at center of the great curve. ‘Westbound. GE’s in the lead. . . . No helper.’

As we climbed the steps, I recalled the first time I ascended these steps: We had just arrived at the parking lot in our 1969 Oldsmobile Vista Cruiser. In the distance I heard the rhythmic drumming of a 20-cylinder SD45. My brother Sean and I ran as fast as we could to reach trackside (near the old K4s Pacific on display) before the train passed. It was one of the few times that I witnessed a Conrail SD45 in full run-8.

More than 43 years later, Kris and I reached trackside in time to a position trackside to take in the action. (A PRR GP9 had replaced the K4s in the mid-1980s.) Before the westward freight passed, a light helper consiting of a pair of Norfolk Southern SD70ACU’s worked west.

The real show was not far behind . . .

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Amtrak Pennsylvanian at the Curve—Six Photos

I timed our visit to Horseshoe Curve to coincide with the passage of Amtrak’s eastward Pennsylvanian—train 42.

I made this sequence of the New York- bound train as it descended the curve using both my Nikon Z6 and Lumix LX7 cameras.

Rich Novmeber sun and late season foliage made for a pleasing combination in contrast with the metallic Amtrak equipment.

Nikon Z6 with 70-200mm f2.8 Nikkor Z-series zoom
Nikon Z6 with 70-200mm f2.8 Nikkor Z-series zoom
Nikon Z6 with 70-200mm f2.8 Nikkor Z-series zoom
Lumix LX7 photo.
Nikon Z6 with 70-200mm f2.8 Nikkor Z-series zoom.
Norfolk Southern GEs work west passing Amtrak 42 at Horseshoe Curve. Nikon Z6 with 70-200mm f2.8 Nikkor Z-series zoom

All five images were adjusted in post processing using Adobe Lightroom.

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