Yellow-Face Irish Rail 201 works toward Dublin—April 2006.

Among the features of Irish Rail in 2006 were two new paint liveries that had been introduced the year previous.

I preferred the yellow-face scheme on the 201 class diesel. This photographed better than either the older predominantly orange livery, or the new two-tone green and silver (such featured in yesterday’s post).

Irish Rail's 213 descends the grade from Ballybrophy on its way toward Dublin on 17 April 2006. Its hard for me to believe that I made this image almost a decade ago. The wire drifting through the scene has always annoyed me. It's easy enough to removing in post processing, but I'm not sure that is the honest thing to do. My slide show on Thursday will show the images as they are without modification.
Irish Rail’s 213 descends the grade from Ballybrophy on its way toward Dublin on 17 April 2006. It’s hard for me to believe that I made this image almost a decade ago. The wire drifting through the scene has always annoyed me. It’s easy enough to removing in post processing, but I’m not sure that is the honest thing to do. My slide show on Thursday will show the images as they are without modification.

The brighter ends proved visually especially advantageous in situations such as this one where the front-end was shadowed.

Tracking the Light Posts Daily!

On 10 March 2016, I will present a feature length illustrated talk to the Irish Railway Record Society in Dublin; my topic, Irish Railways in 2006.

This will begin at 7:30 pm at the IRRS Dublin premises near Heuston Station, Dublin.

4 comments on “Yellow-Face Irish Rail 201 works toward Dublin—April 2006.

  1. The 2nd and 3rd paragraphs of this blog are most relevant to my post here:
    http://theonlinephotographer.typepad.com/the_online_photographer/2016/03/open-mike-the-tale-of-an-enlarger.html

  2. Lincoln Reed on said:

    Still a beautiful image in a beautiful country ! No issues here although I did like the ” wire filter ” comment ! Best of luck with your upcoming presentation in Dublin , Brian ! You’ll knock ’em dead… Figuratively speaking …

  3. “It’s easy enough to removing in post processing, but I’m not sure that is the honest thing to do. ”

    It’s more than being honest. It’s the historical record of what was there at the time the shutter opened. For me, this is more important than artistic merit in railroad photography. Future generations will appreciate the photographer who has the reputation of being trusted to show what really was.

    Yes, I know that all photographs are artificial and don’t really show the reality, but that’s not what’s under discussion here.

  4. Henry Frick on said:

    You need a wire filter

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