I’m always looking for an angle. A family outing on the Schuylkill River in September 2007 provided this opportunity. A SEPTA Silverliner IV glides across the former Pennsylvania Railroad’s Connecting Railway bridge.
In 1914, this massive arch over the Schuylkill River in Philadelphia replaced the original 1867 double-track bridge made of stone arches and a metal truss span. Today it carries Amtrak’s North East Corridor. Although it resembles the stone arches it replaced, it is actually a reinforced concrete arch faced with sandstone.
The news media reported that early this morning (January 20, 2014), an oil train destined for Philadelphia derailed while crossing the Schuylkill River.
The derailment occurred near I-76 and within sight of Center City.
This afternoon, my brother and I were on our way through Philadelphia, and I had the opportunity to make photos from the car as we passed the derailment site.
Traffic was very slow on I-76, and I ample time to make snapshots with my Canon EOS 7D. On our way back, the clean up efforts continued, so I made a few more images.
It pays to have a camera at the ready to capture events such as this one.
For several years I’ve been eyeing the view from Laurel Hill Cemetery as a place to make a railway photograph of the former Reading Company bridges over the Schuylkill. I was intrigued by combination elevation and the complexity of the scene. My brother Sean and I scoped this out last winter, but the light was dull and trees blocked the angle I wanted for a southward train. Recently the view was improved as a result of extensive tree removal around the river-side of the cemetery. Yesterday, Sean, Mike Scherer and I investigated photographic views from Laurel Hill. Our timing was right; I made this image of CSX’s symbol freight Q439 rolling across the bridge at 2:22 pm. I’m pleased with this effort, since catching a train here has been a challenge and the angle is a new one for me, yet I see room for improvement. Finding a train here an hour or two earlier in the day might offer better light on the side of the locomotives, while a slightly longer lens would tighten my composition.