Tag Archives: #film photography

AEM-7 at Niantic

I’ve been digging through slides from 2010 as part of my epic task to sort, label and file my photographs.

The other night I came across a roll exposed 13 years ago on a trip to the old New Haven Railroad Shore Line Route that I made with photographers Tim Doherty and Pat Yough.

We finished the day’s photography at Niantic Beach on the Connecticut coast where I made this view of a westward Amtrak regional train led by AEM-7 919. I like it because it is an unusual trailing photo rather than a more common head-on angle.

I’ve been searching my slides for a view of AEM-7 915, the representative electric now displayed at the Railroad Museum of Pennsylvania. When I find a suitable image of this now famous preserved electric, I’ll post it on Tracking the Light.

Fujichrome Provia 100F exposed with a Canon EOS-3 at Niantic, Connecticut in February 2010.

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Double Deck on a Viaduct: Luxembourg Railways on Chrome.


This image was the first frame in my second to last box of slides exposed in April 2019.

Standing on an ancient wall in Luxembourg City, I focused on a locomotive-hauled double-deck passenger train as it rolled northward on a hazy Monday afternoon.

I scanned this slide using a Nikon Super Coolscan5000 scanner then worked in Lightroom to make nominal adjustments to correct the color balance.

Exposed on Fujichrome Provia 100F using a Nikon F3 with an f1.8 105mm lens. Exposure calculated with a Minolta Mark4 lightmeter.

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Cork’s train shed in black & white—plus travel notice.

Tracking the Light will be on autopilot for a week while Brian is traveling. New material will continue to post everyday, but notices will be delayed. See the Tracking the Light home page at: http://briansolomon.com/trackingthelight.

Kent Station Cork:

For me there’s something about a Victorian train-shed that begs for black & white. I made this photo on my most recent trip to Kent Station in Cork on Kodak Tri-X using a Leica IIIA with 35mm Nikkor lens.

Kodak Tri-X processed in Agfa Rodinal Special (not to be confused with ordinary Ordinal) mixed 1:30 with water, 68 degrees F, at 3 minutes 15 seconds with 2 minute pre-soak (with a trace quantity of developer). After initial processing (dev, stop, 1st fix, 2nd fix, hypo clear, 10 minute wash), negatives were treated with Selenium toner for 7 minutes, then carefully rewashed in running water for 15 minutes). Scanned using Epson V500 flatbed scanner, and digitally processed using Lightroom.

Tracking the Light normally posts new material daily.