Brian Solomon’s Tracking the Light is a Daily Blog discussing Railway Photography.
Another set from the old school: On January 29, 2016 at West Haven, Connecticut, I exposed a series of Fujichrome color slides of Amtrak train 137 (Boston to Washington) using my Canon EOS-3 with 40mm pancake lens.
I’ve found that Fujichrome works very well capturing the wide dynamic range and subtle colors of a stainless-steel train reflecting the sunset.
I scanned these slides using a Nikon Super Coolscan5000 scanner. The files will be ultimately be archived in three locations on portable high-capacity external hard drives, while the slide will be stored with my other film photographs in a cool dark place.
Long ago I noticed that the curve of the line and angle of the winter setting sun at Westport, Connecticut can make for some nice glint light.
It helps to have a very cold day with a clear sky above. New York City produces ample pollution to give the evening light a rosy tint.
Although I’ve found that glint photos tend to look more effective on slide film, I made these digitally. I also exposed a few slides, but we’ll need to wait to see the results.
Exposing for glint takes a bit of practice. My general rule of thumb is that the exposure for a front lit photo is approximately the same as glint at the same location. However, if a a reflective surface kicks back the sun, it will be necessary to stop down a little (probably a half to a full stop).