Tag Archives: Electro-Motive

Locomotive Geometry—Metrolink F59PHI.

I made these views at Los Angeles Union Station the other morning featuring some of Metrolink’s Electro Motive Division-built F59PHIs.

These locomotives were styled in accordance with mid-1990s General Motors automobile aesthetical considerations.

Today, with two decades of hard service behind them they look like battle worn machines and reminded me of the Penn-Central E-units I used to see as a kid.

Using my FujiFilm XT1, I made some detailed studies of several of these old machines.

For this view I wanted to include the tower to the left of the station. To make the composition work, I used my Zeiss 12mm Tuoit, which had secondary effect of providing a suitable color palate for the scene.
For this view I wanted to include the tower to the left of the station. To make the composition work, I used my Zeiss 12mm Tuoit, which had secondary effect of providing a suitable color palate for the scene. Notice the optical illusion at the very top of the frame that makes the edge of the photo seem skewed. 
Still using the Zeiss 12mm, I walked up close to the old F59PHI and made this slightly unusual perspective. A little bit of contrast control was needed in post processing.
Still using the Zeiss 12mm, I walked up close to the old F59PHI and made this slightly unusual perspective. A little bit of contrast control was needed in post processing.
Metrolink 880 has evidence of a collision. The nose section is made of of fiberglass and designed to help protect the crew.
Metrolink 880 has evidence of a collision. The nose section is made of of fiberglass and designed to help protect the crew. Exposed with my Fujinon 18-135mm lens.

 

Here's a vertical format view made from the same angle. Which do you prefer?
Here’s a vertical format view made from the same angle. Which do you prefer?
Nose comparison. I've always liked this sort of image where a locomotive's shape is echoed. In the old days I'd do this sort of thing with E and F units.
Nose comparison. I’ve always liked this sort of image where a locomotive’s shape is echoed. In the old days I’d do this sort of thing with E and F units.

My new book Field Guide to Trains, Locomotives and Rolling Stock (published by Voyageur Press in 2016) features the F59PHI with an image of a Metrolink locomotive at Los Angeles Union Station in 2009.

Tracking the Light Runs Daily!

Pan Am Railway’s EMD F-Units in the Snow; a Second Look.

My Lumix LX7 is a superb tool.

Sometimes I use it as my primary camera.

Often I keep it handy for grab shots.

Near Soap Stone, Massachusetts I made this trailing view across the Deerfield River. Sure the trees block part of the train, but I like the overall atmosphere of the scene. Lumix LX7 photo.
Near Soap Stone, Massachusetts I made this trailing view across the Deerfield River. Sure the trees block part of the train, but I like the overall atmosphere of the scene. Lumix LX7 photo.

On Monday February 15, 2016, I used the LX7 along with my FujiFilm X-T1 to photograph Pan Am Railways executive F-unit with the company office car train. (See: Tracking the Light Special: Pan Am Railways Office Car Special (OCS)—February 15, 2015.)

Where most of my photos were made with the Fuji, I augmented my efforts with Lumix.

Why? Because each camera  produces different results.

On this occasion, I used the Lumix LX7 for some tight angles on the special train.

A report of a broken rail had Pan Am Railway's office car train moving at a walking pace. Bad news for operations, but a boon for the photographer. At the last moment I made this grab shot with my Lumix. It's among my favorite shots from the day's efforts.
A report of a broken rail had Pan Am Railway’s office car train moving at a walking pace. Bad news for operations, but a boon for the photographer. At the last moment I made this grab shot with my Lumix. It’s among my favorite shots from the day’s efforts. White flags are a nice touch. Better get out your train-order era rule book: white flags mean ‘running extra’.
Years ago, my dad brought me to Boston & Maine's roundhouse in Somerville. There I recalled staring in awe at a B&M F7A in McGinnis blue paint. Who could have imagined that more than 45 years later, F-units would be working the Boston & Maine Fitchburg mainline. I think that's pretty cool. Lumix LX7 view near Zoar, Massachusetts.
Years ago, my dad brought me to Boston & Maine’s roundhouse in Somerville. There I gazed in awe at a B&M F7A in McGinnis blue paint. Who could have imagined that more than 45 years later, F-units would be working the Boston & Maine Fitchburg mainline. I think that’s pretty cool. Lumix LX7 view near Zoar, Massachusetts.
Here's a trailing view. PAR-1 seems to get most of the glory, so I though to make a photo of PAR-2 as it rolled by me.
Here’s a trailing view. PAR-1 seems to get most of the glory, so I thought to make a photo of PAR-2 as it rolled by me.
Neat tail car! Six-wheel trucks must make for a nice ride.
Neat tail car! Six-wheel trucks must make for a nice ride.

I processed the Lumix RAW files in Lightroom to bring out shadow detail, and where necessary to adjust overall exposure, and alter color saturation and contrast to make for the most pleasing images.

Which of these do you like the best?

Tracking the Light takes a new Angle Every Day!

 

DAILY POST: Rochester & Southern EMD Switcher


Brooks Avenue Yard, September 23, 1987.

Among my favorite locomotives are Electro-Motive’s classic end-cab switchers, of the sort introduced in the mid-1930s with EMC model SC.

I became familiar with this type as a result of an O-Gauge Lionel NW-2 dressed for Santa Fe that my father bought for me about 1972. Later, I watched and photographed full scale switchers on Penn-Central, Conrail and Boston & Maine.

This type in effect emulated the shape of the common steam locomotive, allowing the engineer to look down the length of the hood, instead of a boiler. Electro-Motive wasn’t first to use this arrangement, which Alco introduced in the early 1930s. But, it was the Electro-Motive switcher that I found to have a classic sound and shape.

EMD SW1200
Rochester & Southern SW1200 107 is posed in front of the Brooks Avenue yard office between 9:45 and 10:15 am on September 23, 1987. I made this photograph with a Leica M2 with 50mm Summicron lens on Kodachrome 25 slide film. At the time was doing a lighting test with my Sekonic Studio Deluxe light meter. Puffy clouds were rapidly passing over and intermittently blocking (and diffusing) the sunlight. I made careful notes of changes in exposure which varied by two full stops between ‘full sun’ and shaded. —
Incidentally, I published this image on page 53 of The American Diesel Locomotive (MBI Publishing, 2000).

 

 

When I was studying at the Rochester Institute of Technology in the late 1980s, Rochester & Southern’s Brooks Avenue Yard was just a few minutes away. I routinely stopped by the yard to see what was going on.

At that time, R&S 107—a former Southern Pacific SW1200—could be routinely found drilling cars. Over the years, I made a number of images of this old goat.

I left Rochester in 1989. I wonder what has become of this switcher? Does it still sport the SP-order oscillating lights?

See previous Tracking the Light posts:  Lehigh Valley 211 at Lincoln Park, Rochester, New York;  Genesee & Wyoming at P&L Junction, November 4, 1987; and Two Freights 24 Hours Apart

 

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