Last December, we brought GP7 573 out on the Redstone Branch to clear the line of snow. It was the furthest east that I’d traveled on the line as we went all the way to the East Conway Road crossing.
The effective end of track for Conway Scenic is the Saco River Bridge east of East Conway Road.
Working with my Canon EOS 3 fitted with a 40mm pancake lens, I made these images on Kodak Ektachrome E100 color slide film.
The great dynamic range of color slide film, combined with its broad tonal range and delicate colors still makes it a perfect choice for making photos in circumstances like these.
We paused last winter at Ely, Vermont where I made this silhouette on Ektachrome of the old Boston & Maine station and its historic train order semaphore.
This was one of several slides I made that day of railroads in Vermont.
Why film? Because it works. Because some photos made on film wouldn’t as well if exposed digitally. But most importantly, because I like film. I made my first Ektachrome color slide c1971, and some 50 years later, I still occasional expose slides.
In April, Kris Sabbatino & I made a visit to Cape Cod, where we spent a morning at West Barnstable photographing the Mass Coastal and visiting a chicken farm.
Mass-Coastal operated a ballast train with its rare GP28 (as previously featured on Tracking the Light). Working with my vintage Canon EOS-3 with 100-400mm image stabilization zoom, I exposed a slide sequence on Kodak Ektachrome E100 reversal film.
The film was processed by AgX lab in Michigan, and last night I scanned a few of the slides using a Epson Perfection V600 flatbed scanner powered by Epson software. After scanning, I imported the TIF files into Adobe Lightroom for color and contrast fine-tuning.