Here’s a lighting challenge: A freight train crossing a big bridge against an overcast sky.
Expose for the train and the sky gets washed out (loss of detail). Expose for the sky and the train is too dark.
So what do you do?
I expose for the sky and then adjust the file in post processing.
Why? Because it is easy enough to lighten slightly underexposed areas, but once highlight detail is lost through over exposure it cannot be recovered.
To balance the exposure in post processing, I lightened the shadow areas globally. This took all of about 30 seconds to accomplish in Lightroom. I also made minor adjustments to overall color balance and saturation. Afterwards, I played with the file to make some outlandish versions for point of comparison.
Of the four, the second from the top is the only image I’d normally present. The bottom of the four is intended to be a little absurd.
This is an unadjusted JPG scaled from the camera RAW file. In other words, I did not interpret the data, assign color profile, or otherwise alter the appearance of the image.Wisconsin Southern’s Reedsburg-Madison freight at the Lake Wisconsin Bridge at Merrimac. This is my adjusted file; using Lightroom, I’ve made nominal adjustments to lighten shadows and improve color balance and saturation in order to make for a more realistic and appealing photograph.For the giggles I made more dramatic alterations to the camera RAW file in this example. Without consideration for realism, I’ve darkened the sky using a digitally applied graduated neutral density filter, pumped up the color saturation and wildly altered the color balance using various controls in Lightroom. This sort of extreme effect is often applied to photos appearing on the net. I’m not a huge fan of candy-cane coloring, but it certainly seems popular and it is easy enough to accomplish.Here I’ve pushed the limits a little further. All in the name of distorting the image. Incidently, while the original RAW file remains unchanged, the effect of these extreme changes to the JPG output has the effect of compressing the image and results in loss of data that may make the JPG difficult to print the image in a book or magazine. Also the way this appears on your screen may be very different from how I see the image on mine.
Going online I see a lot of photos that have pushed the limits with impossibly blue skies. In post processing I’m always watching the skies, it’s one the first signs that I’ve gone too far
Very interesting! I think I have an old computer program on my old computer that I used several times. I’ll have to see if it still works?!
Going online I see a lot of photos that have pushed the limits with impossibly blue skies. In post processing I’m always watching the skies, it’s one the first signs that I’ve gone too far