Timing is crucial in making successful images of moving trains.
Even a few tenths of second can make the difference between a stunning photograph and a throwaway.
After years of photographing trains on the move, I’ve developed techniques for releasing the shutter at precisely the right moment.
When I examine different types of cameras for their suitability as picture making machines, one thing I always look for is shutter delay. Many inexpensive cameras fail in this regard. When you press the button if the camera hesitates it will routinely make railway action photography more difficult.
Many inexpensive cameras suffer from inadequate computer processors that can contribute to a delay. Another difficulty are the autofocus systems that impose a delay between the time you press the shutter and when the shutter opens.
Some cameras, such as my Lumix LX7 and Fuji X-T1 allow for various adjustments to autofocus and exposure settings than can help minimize the effects of ‘shutter lag’. But you have to play with the settings to get just the right combination.
Having the camera ‘on’ and queued up (poised and ready) helps.
If you find that too often your photos look like these, you may wish to consider acquiring a picture-making device that has better reaction time. What use is a camera that forces you to miss photos? Why suffer the repeated frustrations and disappointments associated with ‘shutter lag?’
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Shutter lag was something one didn’t have with old mechanical cameras, but then sometimes the pictures had other problems.