Tag Archives: Wisconsin & Southern

Wisconsin & Southern at Reedsburg, Wisconsin.

In July 2016, John Gruber and I photographed Wisconsin & Southern’s Reedsburg job on its run from Madison to Reedsburg.

Although, I made many digital photographs that day, I also exposed a few photos on Ilford Pan F using a vintage Leica IIIA fitted with a Nikkor f3.5 35mm lens.

Notice how the tonality and texture of the image draws your eye in a variety of directions. The effects of  tire tracks in the gravel and the pole shadows are enhanced through use of a monochromatic image making medium.

Reedsburg, Wisconsin in July 2016.

 

Brian Solomon’s Tracking the Light Posts Daily and sometimes twice.

Mainline now Branchline—Wisconsin & Southern to Reedsburg, Wisconsin.

A couple of weeks ago, I traveled with Rich and John Gruber to photograph Wisconsin & Southern’s Reedsburg to Madison freight.

This plies a former Chicago & North Western route that in its heyday a century ago was a double-track mainline running from Chicago to the Twin Cities via Elroy.

Today, it is a ambling branch line with lots of 10 mph running: No directional double track, no signals, no fast passenger trains, and the line is truncated at Reedsburg.

On this day a matched set of back to back SD40-2s was an added attraction. We decided on Hatchery Road in Baraboo as our first photo location. I opted to feature the skewed rural grade crossing.

Exposed with a FujiFilm X-T1 fitted with an 18-135mm zoom lens. File manipulated in post processing to balance exposure and improve color balance. Compare the contrast and color balance between this image and the others. Notice subtle differences and see how the alter the appearance of the locomotives in their environment.
This view features a cooler color-balance (tends more toward the blue).
Adjustments to contrast of the middle tones using the ‘clarity slider’ in Lightroom resulted in greater separation between the red and silver on the locomotive stripes.

To balance the exposure, I manipulated the camera RAW files in Lightroom using digitally applied graduated neutral density filter to better hold sky detail, while lightening shadow areas and making slight adjustments to overall contrast and color balance.

Tracking the Light Posts Daily.

The Big Chase: Wisconsin & Southern to Reedsburg—Second Try.

A week ago, I traveled with John Gruber and Scott Lothes for a day’s photography on the Wisconsin & Southern,

A couple of days previously, John and I had made some photographs exploring the line to Reedsburg (see previous posts). So armed with that experience plus good information on operations, we set out with Scott for another run.

Among the three of us we have a bit of photographic experience and a lot of railway knowledge, so we were in good position to make the most of the day. I always like learning from fellow photographers as everyone has their own way of seeing.

I have to admit that the old Chicago & North Western line between Madison and Reedsburg isn’t my strongest field of interest. When I lived in Wisconsin this line (then still operated by C&NW) was largely nocturnal. However in more recent times, John and I have made daylight photos.

Until a few months ago the route still featured some vintage wig-wag grade crossing signals, and these had been the focus of my earlier efforts on the line. Since these are gone, we were able to take a more diverse approach.

The Reedsburg line is now but a branch on the sprawling Wisconsin & Southern freight gathering network, but historically the line was a key Chicago & North Western mainline between Chicago, Madison and the Twin Cities. For me this legacy makes the line more interesting.

We picked up the train at Wisconsin & Southern’s Madison Yard, and over the next few hours intercepted it more than a dozen times.

Knutson Drive in Madison, Wisconsin.
Knutson Drive in Madison, Wisconsin.

Sunny weather plus a single clean SD40-2 running short-hood first put us in a good position to make satisfactory images. On the previous run John and I needed to make do with the engine running long-hood first, which is a more challenging subject to photograph.

Here are a few digital photos from our second chase. Any favorites?

A view of scrap cars from an over-pass west of Lodi, Wisconsin. After all, a freight train is about the freight, right?
A view of scrap cars from an over-pass west of Lodi, Wisconsin. After all, a freight train is about the freight, right?
Pastoral Wisconsin scene near Okee.
Pastoral Wisconsin scene near Okee.
Crossing the Wisconsin River at Merrimac. John brought the car across on the ferry, while Scott and I waited on the south side of the river for the train.
Crossing the Wisconsin River at Merrimac. John brought the car across on the ferry, while Scott and I waited on the south side of the river for the train.
Devils Lake, Wisconsin. There's a variety of angles on this place, most of them better in the afternoon or evening. We were there at lunch-time and had to make the best of it. I've adjusted the contrast in Lightroom.
Devils Lake, Wisconsin. There’s a variety of angles on this place, most of them better in the afternoon or evening. We were there at lunch-time and had to make the best of it. I’ve adjusted the contrast using Lightroom. I’ve tried to maintain the sense of lighting while balancing it to produce a more pleasing overall image. It is of course possible to overdo contrast control, which may result in an unnatural appearing image.
Baraboo station. Compare this photograph with my black & white views posted a few days ago.
Baraboo station. Compare this photograph with my black & white views posted a few days ago.
Our freight works at Rock Springs where it dropped grain cars for loading.
Our freight works at Rock Springs where it dropped grain cars for loading.
Scott picked this spot. On the previous trip I'd tried a long telephoto view of the same bridge. I like this wide angle broadside better.
Scott picked this spot. On the previous trip I’d tried a long telephoto view of the same bridge. I like this wide angle broadside better.
We were a bit tardy arriving at the crossing. This is a quick grade crossing grab shot. Not much time to set up. As with a few of the other images, I've adjusted the contrast using Lightroom.
We were a bit tardy arriving at the crossing. This is a quick grade crossing grab shot. Not much time to set up. As with a few of the other images, I’ve adjusted the contrast using Lightroom.

Tracking the Light posts Daily!

Long Hood at the Old Station; Baraboo, Wisconsin in Black & White—July 2016.

 

I exposed these three photos last week on Wisconsin & Southern at Baraboo, Wisconsin using my old Leica 3A loaded with Ilford Pan F black & white film (ISO 50).

In its heyday, Baraboo was a division point on Chicago & North Western’s Chicago-Madison-Twin Cities main line.

Its glory days are now more than a century past; decline began in the early twentieth century, when this route was augmented by C&NW’s low-grade Adams Line (via Milwaukee), which became a preferred route for through freight and fast passenger expresses.

It was severed as a through line in the 1980s.

As mentioned in an earlier post, on this July 2016 day John Gruber and I were following Wisconsin & Southern’s Madison to Reedsburg freight.

Some photographers might object to the railroad’s choice of motive power: an SD40-2 operating long-hood first. I recall the wisdom of my late-friend Bob Buck who reminded me once many years ago, ‘The railroad isn’t operated for your benefit.’

(In other-words; if a long-hood forward SD40-2 is on offer, that’s what there is and so make the best of it.)

Compare these images:

In this view the harsh overhead light characteristic of 'high sun' was briefly soften by a passing fair weather cloud. Some photographers might cringe at the thought of a cloud, but here if offered opportunity for a variation on the scene. I adjusted the contrast of the image in post processing.
Photo 1. In this view the harsh overhead light characteristic of ‘high sun’ was briefly soften by a passing fair weather cloud. Some photographers might cringe at the thought of a cloud, but here if offered opportunity for a variation on the scene. I adjusted the contrast of the image in post processing.
Bright sun again; so with this photograph I used my rangefinder to focus on the trackside weeds instead of Wisconsin & Southern 4008.
Photo 2. Bright sun again; so with this photograph I used my rangefinder to focus on the trackside weeds instead of Wisconsin & Southern 4008.
John Gruber looks on while Wisconsin & Southern 4008 switches at Baraboo. Exposed on Ilford Pan F using a Leica 3A rangefinder camera fitted with a Nikkor f3.5 35mm lens.
Photo 3. John Gruber looks on while Wisconsin & Southern 4008 switches at Baraboo. Exposed on Ilford Pan F using a Leica 3A rangefinder camera fitted with a Nikkor f3.5 35mm lens.

In one, I’ve adjusted the contrast to compensate for a cloud that momentarily softened the noonday sunlight. In the second, I’ve worked with depth of field and focused on trackside weeds instead of the locomotive. In the last, I’ve included fellow photographer John Gruber to add in a human element.

Which do you like the best?

Tracking the Light Posts Daily!

 

Wisconsin & Southern; as the Motorist sees it.

During the last week (July 2016), John Gruber and I were rewarded by our efforts at photographing Wisconsin & Southern freights on the move. John’s been documenting this route for decades.

On this day we’d picked up the Reedsburg Job near Merrimac and followed it west.

First of two images.
First of two images.

At this location near Baraboo, I asked John to stop the car near the top of a hill, rather than drive closer to the tracks.

So, is this how motorists perceive the Wisconsin & Southern?

Exposed using my FujiFilm XT1 with 18-135mm lens fully extended to its most telephoto setting (135mm). The camera’s built-in level is very helpful in situations such as this where set up time is at premium.
Exposed using my FujiFilm XT1 with 18-135mm lens fully extended to its most telephoto setting (135mm). The camera’s built-in level is very helpful in situations such as this where set up time is at premium.

Tracking the Light Posts Every Day!

Wisconsin & Southern Wig Wag Retrospective

At one time the wig wag signal was the standard grade crossing protection.  Now the type is all but extinct.

I learned a few weeks ago that Wisconsin & Southern had finally removed the last of these classic American signals on its former Chicago & North Western line to Reedsburg, which had survived at Baraboo, Wisconsin.

Over the years, I’d photographed wig wags at various locations in Wisconsin.

I made these photographs at Baraboo with John Gruber in February 2008.

Using a Canon EOS3 with 20mm lens, I used a relatively slow shutter speed to help convey the classic motion of the wig wag signal. Fuji chrome slide film.
Using a Canon EOS3 with 20mm lens, I used a relatively slow shutter speed to help convey the classic motion of the wig wag signal. Fujichrome slide film.
Fujichrome slide film.
Fujichrome slide film.

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Locomotive Geometry Part 2; Wisconsin & Southern’s Electro-Motive diesels

Locomotive study.
Detailed study of an EMD’s rear hood shows radiator air-intakes, engine compartment doors, handrails, and the engine water level sight-glass that helps distinguish Dash-2 models from their earlier counterparts. Fuji Velvia 100F slide film.

Finding static locomotives in nice light offers an opportunity to make studies of the equipment. Wisconsin & Southern operated a fleet of clean, well-maintained second-hand General Motors Electro-Motive Division (EMD) diesels. These were representative of the classic models built at La Grange, Illinois, during the mid-20th century and dressed in a handsome red and silver livery. For me they were prime examples of GM’s finest American diesels, yet at the time I was photographing them, these locomotives were past their prime and harked back to an earlier era. General Motors locomotives, even their more utilitarian models, were characterized by well-balanced aesthetic designs, while their classic postwar streamlined locomotives are icons of American railroading. These images are a small selection focused on the locomotives.

GP9 from rail level
Wisconsin & Southern GP9 4491 was leading a train on the line to Prairie du Chein; the crew had tied down the locomotive, so the lights are on but there’s nobody home. This low view at a grade crossing captures the long hood with ditch-lights and headlights blaring. Exposed with a Nikon F3T and f1.8 105mm lens on Kodachrome 25 slide film. Key to making this image was ability to detach the F3T’s viewing prism, thus allowing a view ‘from the hip’ (or in this case from ‘the rail’).
Wisconsin & Southern GP9 study.
Detail of Wisconsin & Southern GP9 4491 showing the battery box door and company logo. Nikon F3T and f1.8 105mm lens on Kodachrome 25 slide film
WSOR_SD40-2_Janesville_WI_Jul2005_©Brian Solomon
Wisconsin & Southern SD40-2s are ‘blue flagged’ at the Janesville, Wisconsin roundhouse. The SD40-2 was the most common locomotive of the 1970s, a powerful, reliable 3,000 hp six-motor freight hauler, and in their day, one of the best-liked engines by crews. Although in their prime they were so common as to be barely worth a second glance, today they are American classics. Exposed with a Nikon F3T and Nikkor f1.8 105mm lens on Fuji Velvia 100F slide film.

 

Locomotives at rest.
SD40-2s in light and shade. Clean balanced design was among the admirable external characteristics of EMD diesels. Fuji Velvia 100F slide film
Locomotive truck detail
The initials ‘EMD’ was General Motors’ signature on its locomotives.
HT-C truck detail
Detailed view of EMD’s very successful HT-C truck ‘High-Traction’ with ‘C’ for three-motors that was standard equipment on its SD40-2.
WSOR_E9_detail_Jul2005_Brian_Solomon_444120©Brian Solomon
Wisconsin & Southern operated former Milwaukee Road streamlined E9s on its business train.
Model E9 was EMD’s last E-unit. This nose detail of Wisconsin & Southern E9 10C shows the engine’s dual headlight arrangement, the top headlight is an oscilating light, the bottom light is fixed. While oscillating lights are commonly known as ‘Mars light’, in this situation both headlights are Mars products. Among the classic EMD equipment on this locomotive are the grab irons and nose-door handle. Fuji Velvia 100F slide film.
Model E9 was EMD’s last E-unit. This nose detail of Wisconsin & Southern E9 10C shows the engine’s dual headlight arrangement, the top headlight is an oscillating light, the bottom light is fixed. While oscillating lights are commonly known as ‘Mars light’, in this situation both headlights are Mars products. Among the classic EMD equipment on this locomotive are the grab irons and nose-door handle. Fuji Velvia 100F slide film.
SD40-2s at work.
Wisconsin & Southern SD40-2s at work: a freight growls over a highway crossing at Avalon, Wisconsin on August 20, 2011. Canon EOS-3 with f2.8 24mm lens on Fuji Provia 100F slide film.
Not a 'pure' EMD creation; Wisconsin & Southerns' 'SD20s' were a hybrid model built by Illinois Central Gulf at Paducah, Kentucky using the core of a former Union Pacific cab-less SD24. Wisconsin & Southern 2051 displays a patriotic sticker in 2002.
Not a ‘pure’ EMD creation; Wisconsin & Southern ‘SD20s’ were a hybrid models built by Illinois Central Gulf at Paducah, Kentucky. This one was originally a Union Pacific cab-less SD24. Wisconsin & Southern 2051 displays a patriotic sticker in 2002.

See: Locomotive Geometry Part 1

Also, for more information on EMD’s see my book EMD Locomotives.