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photography, Tips and Technique

Drama Along the Deerfield River; Gone Retro—February 18, 2016.

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At this exact location thirty years ago, I made a dramatic black & white view of a westward Guilford freight on the Boston & Maine.

Thursday, February 18, 2016, I stood in my own footprints, and recreated the drama.

Photographer Mike Gardner and I were on one of our railroad photo quests.

Pan Am Railway’s freight EDRJ (East Deerfield to Rotterdam Junction) was working upgrade along the Deerfield River toward the Hoosac Tunnel.

While I made some digital images, I also exposed several photos on Ilford HP5 using my Canon EOS3 fitted with a 20mm superwide angle lens.

Some writers have come to call this ‘analog photography’. Let’s use the word film: I made the photo on black & white film.

When I returned home, I brought the film into the darkroom and I processed it using chemicals (as you do).

I’ve detailed my secret recipe for black & white in the Tracking the Light post titled: Black & White revisited; Old Tech for a New Era part 2—Secrets Revealed! (http://wp.me/p2BVuC-4o) please click the link to see the post.

For this roll of film I made some minor adjustments to the basic formula.

The goal of my special process is to allow for a black & white negative that when scanned provides optimum tonality and contrast without the need for post processing adjustments.

This is significant for two reasons: 1) I’ve maximized the film’s tonality, thus allowing to capture the most amount of information. 2) I’ve minimized the amount of time I need to spend adjusting individual images.

Exposed on February 18, 2016 with Ilford HP5 black & white film. Processed in Kodak HC-110 1:32 for 5 minutes at 68 degrees F, three bath fixer, and then selenium 1:9 for five minutes; rinse and dry. Scanned digitally using a Epson V600. No post processing contrast or exposure adjustments. Original exposure was f16 1/500th of a second with 20mm lens.
Exposed on February 18, 2016 with Ilford HP5 black & white film. Processed in Kodak HC-110 1:32 for 5 minutes at 68 degrees F, three bath fixer, and then selenium 1:9 for five minutes; rinse and dry. Scanned digitally using a Epson V600. No post processing contrast or exposure adjustments. Original exposure was f16 1/500th of a second with 20mm lens.

With this photo, I scanned the original negative, and then scaled it in Lightroom while applying my water mark. I did not make adjustments to exposure, contrast, or similar. This is in essence and unmodified scan.

Here I’ve intentionally selected a very contrasty scene. This demonstrates the success of the process and makes for a dramatic photograph of modern railroading.

By using HP5, which is rated by Ilford at 400 ISO, I’ve intentionally selected a comparatively grainy film. This adds texture and grittiness to the image. I  wonder how it will appear on your screen? On mine it is exceptionally sharp with broad tonal range.

What do you think?

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