The other day I was scouring the files for a photo Amtrak’s Sunset Limited as an illustration for an article I was writing.
Instead, I found this slide; one of hundreds of images I made along SP’s Sunset Route in southern California during the early-mid 1990s.
I’d been following this eastward Southern Pacific freight over Beaumont Pass and I exposed this view near Cabazon on the east slope. The setting sun was enhanced by the effects of Los Angeles-area smog that acted as a red filter (an effect of heavy particulates).
I was working with my Nikon F3T and Kodachrome 25 slide film. Always a favorite combination for image making on Southern Pacific Lines.
Tracking the Light presents new material every day!
Vermont Rail System freight 263 led by former Texas Mexican GP60 381 works on Green Mountain Railroad’s former Rutland grade near Mt Holly, Vermont on February 18, 2002. Fresh powder, a clear blue dome combined with red locomotives and tonnage make for an irresistible combination. Cross-lighting the scene adds a bit of contrast and drama. Yet the snow minimizes the effect of deep shadows. Exposing in snow takes a bit of practice. Most metering systems will tend to render the snow too dark resulting in an underexposed image. A good rule of thumb: close down one full stop from normal sunlit daylight exposure. With 100 speed slide film as used here; instead of f6.3 1/500th, I’d recommend about f9 1/500th. An advantage of working with a digital camera in snow is the ability to check exposure on site, and not have to wait until after the action has passed to find out that the photos are exposed incorrectly.
Photographs from my day following Vermont Railway GP60 381 in the snow have appeared in a variety of publications. I used this image on page 35 of my 2003 book TRAINS—A Photographic Tour of American Railways, published by Gramercy. The book’s cover features a broadside view of this locomotive near Chester, Vermont.