I avoid shrouding my work in mystery and I’ve happily discussed my technique, tools and materials with anyone who asks. This can lead to some interesting conversations, but also some peculiar observations.

Over the years, various people have offered  curious comments on my photography (not including the written comments that appear in response to Tracking the Light). Below are some of the most memorable:

1) Commenter, “I like your slides, what sort of film do you use to make the photos?”

Me, “Kodachrome 25”.

Commenter, “Kodachrome 25! Isn’t that too slow?!”

2) Commenter, “That’s a beautiful scene but I didn’t think it would make a good photograph.”

3) Commenter, “Here’s a tip for you son, your photos are too head on, I couldn’t read the words on the side of the trains.”

4) Commenter, “I like your photo of the sunset, if I want to make a photo like that, which filter should I use?”

Me, “I don’t know, I didn’t use a filter.”

Commenter, “Yes, but if I was to used a filter, which one should I use?”

5) Commenter (via a 3^rd party), “I don’t like Brian Solomon’s photography, it shows too many trees!”

6) Commenter, “You shouldn’t be making photos at night, it’s a waste of film!”

7) Commenter, “You still use film?!!”

8) Commenter, “So how are you adjusting from the transition to digital?”

Me, “I still haven’t adjusted from the transition to color.”

9) Commenter in regards to my Lumix LX3, “I can’t believe that YOU use THAT!”

10) Commenter in regards to a photo of Amtrak’s Lake Shore Limited in the Berkshires, “That’s a beautiful photograph, pity about the train.”

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