St Johnsbury, Vermont: Agfa APX 400 Test.
Back in 1990, I got a good deal on a 100 foot roll of Agfa 400 speed black & white film. I took quite a few photos with this, mostly of street scenes in San Francisco, and processed it in D76 1-1, much the way I would have processed Kodak Tri-X.
That was a mistake.
Fast forward 30 years and I thought I’d give Agfa 400 black & white another go.
This time I used a more refined process.
On April 12, 2020, Kris Sabbatino and I visited St. Johnsbury, Vermont, where we made a variety of photos around the former Maine Central truss bridge, located at the far west end of the old Mountain Division. I worked primarily with 90mm and 50mm Nikon lenses. The light was dull April overcast, which I thought would be a good test for Agfa 400.
Since I didn’t have access to my processing equipment and chemistry, I wasn’t able to develop the film until recently, but last weekend I finally souped the Agfa. I decided to try Rodinal Special (NOT to be confused with Rodinal) which is formulated for higher speed emulsions.
Before introducing the Rodinal Special (mixed 1-25), I presoaked the film for 5 minutes at 70 F in a very dilute bath of HC110 (mixed 1-300 with water and a drop of Photoflo-wetting agent). This was followed by the main development using my Rodinal Special mix for 4 minutes 30 seconds at 68 F; stop bath; twin fixer baths; rinse; permawash; first wash; selenium toner mixed 1-9 for 8 minutes; rinse and final wash.
There were a few hiccups in the washing. And as a result I ended up with precipitate on the negatives, so I ended up repeating the wash cycle yesterday morning, then soaked the negatives in distilled water with a drop of Photoflo before re-drying and scanning.
Now for the judgement. . . .
![](https://i0.wp.com/briansolomon.com/trackingthelight/wp-content/uploads/2020/05/©BrianSolomon_582097-scaled.jpg?resize=474%2C312)
![](https://i0.wp.com/briansolomon.com/trackingthelight/wp-content/uploads/2020/05/©BrianSolomon_582098-scaled.jpg?resize=474%2C305)
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![On April 12, 2020, Kris Sabbatino and I visited St. Johnsbury, Vermont, where we made a variety of photos around the former Maine Central truss bridge, located at the far west end of the old Mountain Division. I worked primarily with 90mm and 50mm Nikon lenses. The light was dull April overcast, which I thought would be a good test for Agfa 400.](https://i0.wp.com/briansolomon.com/trackingthelight/wp-content/uploads/2020/05/©BrianSolomon_582106-scaled.jpg?resize=474%2C301)
![](https://i0.wp.com/briansolomon.com/trackingthelight/wp-content/uploads/2020/05/©BrianSolomon_582104-scaled.jpg?resize=474%2C301)
These are straight scans; only scaled for internet and without alterations to exposure, contrast, or sharpness.
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