{"id":19089,"date":"2017-08-12T05:12:04","date_gmt":"2017-08-12T09:12:04","guid":{"rendered":"http:\/\/briansolomon.com\/trackingthelight\/?p=19089"},"modified":"2017-08-08T10:15:50","modified_gmt":"2017-08-08T14:15:50","slug":"from-the-negative-file-csxs-former-boston-albany","status":"publish","type":"post","link":"http:\/\/briansolomon.com\/trackingthelight\/from-the-negative-file-csxs-former-boston-albany\/","title":{"rendered":"From the Negative File: CSX\u2019s former Boston &#038; Albany."},"content":{"rendered":"<p>On July 22, 2017, I made this unusual view of CSX Intermodal train Q012 on the old Boston &amp; Albany mainline at West Warren, Massachusetts.<\/p>\n<figure id=\"attachment_19087\" aria-describedby=\"caption-attachment-19087\" style=\"width: 1832px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"19087\" data-permalink=\"http:\/\/briansolomon.com\/trackingthelight\/from-the-negative-file-csxs-former-boston-albany\/brian_solomon_53601660\/\" data-orig-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?fit=1832%2C1092\" data-orig-size=\"1832,1092\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\u00a9Brian_Solomon_53601660\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;July 22, 2017; CSX at West Warren, Massachusetts, exposed on Kodak Tri-X.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?fit=709%2C423\" data-large-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?fit=474%2C282\" class=\"size-full wp-image-19087\" src=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?resize=474%2C283\" alt=\"\" width=\"474\" height=\"283\" srcset=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?w=1832 1832w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?resize=205%2C122 205w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?resize=709%2C423 709w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?resize=1022%2C609 1022w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?w=948 948w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?w=1422 1422w\" sizes=\"(max-width: 474px) 100vw, 474px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-19087\" class=\"wp-caption-text\">July 22, 2017; CSX at West Warren, Massachusetts, exposed on Kodak Tri-X.<\/figcaption><\/figure>\n<p>What\u2019s unusual about it?<\/p>\n<p>Not only was it made on Kodak Tri-X black &amp; white film using an 80-year old Leica camera body fitted with a 21mm Super Angulon lens, but my processing was non-standard.<\/p>\n<p>After a pre-soak with a miniscule amount of developer, I gave the film it\u2019s primary development in Ilford Perceptol stock mixed with water 1-1 for 8 min 30 seconds at 69 F. Following development, stop, fix1, fix2, and thorough rinse, I treated the still wet film in selenium toner mixed 1 to 9 with water for 8 minutes.<\/p>\n<p>The selenium toner gives the negatives a slightly lavender hue while increasing the highlight density to provide a silvery sheen. This involves an ion-exchange with the silver halide in the film which offers a secondary benefit of greater long term stability.<\/p>\n<p>After toning, I re-wash negatives for at least 10 minutes.<\/p>\n<p>For internet presentation here, I scanned the dried negatives on an Epson V750 flatbed scanner at high-resolution TIF files, then imported the files to Lightroom for final adjustment, dust removal and scaling. (My TIF files are far too large to upload on Word Press for internet).<\/p>\n<p>Instead of scanning the negatives in black &amp; white, I scanned them in color which retains the purple tint of the selenium toner for effect.<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #0000ff;\">Tracking the Light Posts Daily<\/span><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>On July 22, 2017, I made this unusual view of CSX Intermodal train Q012 on the old Boston &amp; Albany mainline at West Warren, Massachusetts. What\u2019s unusual about it? Not only was it made on Kodak Tri-X black &amp; white film using an 80-year old Leica camera body fitted with a 21mm Super Angulon lens, &hellip; <a href=\"http:\/\/briansolomon.com\/trackingthelight\/from-the-negative-file-csxs-former-boston-albany\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">From the Negative File: CSX\u2019s former Boston &#038; Albany.<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":19087,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"yes","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[48],"tags":[3814,4101,41,35],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/08\/\u00a9Brian_Solomon_53601660.jpg?fit=1832%2C1092","jetpack_shortlink":"https:\/\/wp.me\/p2BVuC-4XT","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts\/19089"}],"collection":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/comments?post=19089"}],"version-history":[{"count":1,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts\/19089\/revisions"}],"predecessor-version":[{"id":19090,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts\/19089\/revisions\/19090"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/media\/19087"}],"wp:attachment":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/media?parent=19089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/categories?post=19089"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/tags?post=19089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}