{"id":18500,"date":"2017-05-15T05:51:13","date_gmt":"2017-05-15T09:51:13","guid":{"rendered":"http:\/\/briansolomon.com\/trackingthelight\/?p=18500"},"modified":"2017-05-14T08:55:11","modified_gmt":"2017-05-14T12:55:11","slug":"striving-for-tonality","status":"publish","type":"post","link":"http:\/\/briansolomon.com\/trackingthelight\/striving-for-tonality\/","title":{"rendered":"Striving for Tonality."},"content":{"rendered":"<p>Last month I made this photo of a tram near its terminus in Basel, Switzerland.<\/p>\n<figure id=\"attachment_18499\" aria-describedby=\"caption-attachment-18499\" style=\"width: 1774px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"18499\" data-permalink=\"http:\/\/briansolomon.com\/trackingthelight\/striving-for-tonality\/basel-brian-solomon_336366\/\" data-orig-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?fit=1774%2C1127\" data-orig-size=\"1774,1127\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Basel Brian Solomon_336366\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;To achieve deeper tones, I&#8217;ve adjusted my photographic process, shortening the development time, then boosting highlights by toning the negatives after development. &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?fit=709%2C450\" data-large-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?fit=474%2C301\" class=\"size-full wp-image-18499\" src=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?resize=474%2C301\" alt=\"\" width=\"474\" height=\"301\" srcset=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?w=1774 1774w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?resize=205%2C130 205w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?resize=709%2C450 709w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?resize=1022%2C649 1022w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?w=948 948w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?w=1422 1422w\" sizes=\"(max-width: 474px) 100vw, 474px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-18499\" class=\"wp-caption-text\">To achieve deeper tones, I&#8217;ve adjusted my photographic process, shortening the development time, then boosting highlights by toning the negatives after development.<\/figcaption><\/figure>\n<p>Working with my Nikon N90S with f2.0 35mm lens, I exposed a roll of Ilford HP5, rating it at 320 ISO. I processed the film in Agfa (formula) Rodinal Special (mixed 1-30 with water) for 3 minutes 25 seconds at 68 degrees F.<\/p>\n<p>By design, this resulted in acceptable negatives, slightly on thin (light) side. Then, after fixing (two stage) and a thorough 10 minute rinse, I toned the negatives in selenium (using a 1-9 mix) for nine minutes with regular agitation.<\/p>\n<p>Selenium toner is poisonous, so I wear latex gloves and perform the toning outside to avoid breathing the fumes, and pre-rinse the film prior to bringing it back inside.<\/p>\n<p>Toning the negatives in this way boosts the highlights, giving the images a slightly silvery glow, while improving archival stability.<\/p>\n<p>For this photo, I made some additional changes in post processing.<\/p>\n<p>After scanning, I imported the file to Lightroom, and digitally lowered the contrast and highlight density of the sky-area in the top 1\/3 of the frame.<\/p>\n<p>My intent was to produce an image with a darker moody tonality and glistening highlights. I wonder if this will translate to the internet well?<\/p>\n<p>&nbsp;<\/p>\n<p>Agfa Rodinal Special and selenium toners can be purchased from Freestyle in California, (see: <a href=\"http:\/\/www.freestylephoto.biz\">http:\/\/www.freestylephoto.biz<\/a>).<\/p>\n<p>&nbsp;<\/p>\n<p>Tracking the Light posts daily.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last month I made this photo of a tram near its terminus in Basel, Switzerland. Working with my Nikon N90S with f2.0 35mm lens, I exposed a roll of Ilford HP5, rating it at 320 ISO. I processed the film in Agfa (formula) Rodinal Special (mixed 1-30 with water) for 3 minutes 25 seconds at &hellip; <a href=\"http:\/\/briansolomon.com\/trackingthelight\/striving-for-tonality\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Striving for Tonality.<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":18499,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"yes","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[48],"tags":[4193,3499,2182,27,2166],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2017\/05\/Basel-Brian-Solomon_336366.jpg?fit=1774%2C1127","jetpack_shortlink":"https:\/\/wp.me\/p2BVuC-4Oo","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts\/18500"}],"collection":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/comments?post=18500"}],"version-history":[{"count":1,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts\/18500\/revisions"}],"predecessor-version":[{"id":18502,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts\/18500\/revisions\/18502"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/media\/18499"}],"wp:attachment":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/media?parent=18500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/categories?post=18500"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/tags?post=18500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}