{"id":15681,"date":"2016-06-13T05:47:39","date_gmt":"2016-06-13T09:47:39","guid":{"rendered":"http:\/\/briansolomon.com\/trackingthelight\/?p=15681"},"modified":"2016-06-13T08:42:23","modified_gmt":"2016-06-13T12:42:23","slug":"acela-sunset-miracles-of-digital-by-working-with-a-raw-file","status":"publish","type":"post","link":"http:\/\/briansolomon.com\/trackingthelight\/acela-sunset-miracles-of-digital-by-working-with-a-raw-file\/","title":{"rendered":"Acela Sunset: Miracles of Digital by working with a RAW File."},"content":{"rendered":"<p>The long days make for photographic opportunity. While modern digital cameras have the ability to capture scenes previously out of reach with film. Yet, sometimes there\u2019s still work to be done after the fact.<\/p>\n<p>The other day, Pat Yough and I were exploring locations along Amtrak\u2019s former New Haven Shoreline at Madison, Connecticut.<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cHeadlight!\u201d<\/p>\n<p>\u201cIt\u2019s the Acela.\u201d<\/p>\n<p>Working with my FujiFilm X-T1 fitted with a 27mm pancake lens, I had very little time to prepare for my image.<\/p>\n<p>However, the colors of the evening sky attracted my attention and I knew I needed to use a relatively fast shutter speed to stop the action. I set the ISO to 6400, which allowed me to use a 1\/500<sup>th<\/sup> of second shutter speed at f3.2.<\/p>\n<p>(I set my camera manually.)<\/p>\n<p>While the front of the Acela was exposed more or less as I\u2019d hoped, the sky detail was washed out.<\/p>\n<p>Later, using Lightroom for post processing, I was quickly able to produce three variations of the original image that brought back sky detail.<\/p>\n<p>Admittedly the original file isn\u2019t the sharpest image. But, I find one the great benefits of the digital medium is the ability to go back to the camera RAW file and adjust color and contrast sliders to make for a more pleasing final photograph.<\/p>\n<p>Which of the four photos is your favorite?<\/p>\n<figure id=\"attachment_15679\" aria-describedby=\"caption-attachment-15679\" style=\"width: 2449px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"15679\" data-permalink=\"http:\/\/briansolomon.com\/trackingthelight\/acela-sunset-miracles-of-digital-by-working-with-a-raw-file\/acela_2170_at_madison_raw_dscf8527\/\" data-orig-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_RAW_DSCF8527.jpg?fit=2449%2C1633\" data-orig-size=\"2449,1633\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;X-T1&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1465355691&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;27&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.002&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Acela_2170_at_Madison_RAW_DSCF8527\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;This image was made from the unmodified RAW file. RAW represents the data captured by the camera. However, often there is greater detail in the file than is immediately evident.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_RAW_DSCF8527.jpg?fit=709%2C473\" data-large-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_RAW_DSCF8527.jpg?fit=474%2C316\" class=\"size-full wp-image-15679\" src=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_RAW_DSCF8527.jpg?resize=474%2C316\" alt=\"This image was made from the unmodified RAW file. RAW represents the data captured by the camera. However, often there is greater detail in the file than is immediately evident.\" width=\"474\" height=\"316\" srcset=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_RAW_DSCF8527.jpg?w=2449 2449w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_RAW_DSCF8527.jpg?resize=205%2C137 205w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_RAW_DSCF8527.jpg?resize=709%2C473 709w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_RAW_DSCF8527.jpg?resize=1022%2C681 1022w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_RAW_DSCF8527.jpg?w=948 948w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_RAW_DSCF8527.jpg?w=1422 1422w\" sizes=\"(max-width: 474px) 100vw, 474px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-15679\" class=\"wp-caption-text\">This image was made from the unmodified RAW file. RAW represents the data captured by the camera. However, often there is greater detail in the file than is immediately evident.<\/figcaption><\/figure>\n<figure id=\"attachment_15680\" aria-describedby=\"caption-attachment-15680\" style=\"width: 2367px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"15680\" data-permalink=\"http:\/\/briansolomon.com\/trackingthelight\/acela-sunset-miracles-of-digital-by-working-with-a-raw-file\/acela_2170_at_madison_mod1_dscf8527\/\" data-orig-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?fit=2367%2C1689\" data-orig-size=\"2367,1689\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;X-T1&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1465355691&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;27&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.002&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Acela_2170_at_Madison_MOD1_DSCF8527\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;First adjust variation. Using Lightroom, I inserted a digital graduated filter to bring in sky detail and improve color saturation, while making over all adjustments to contrast. I also cropped the image slightly to minimize the intrusive visual elements on the left.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?fit=709%2C506\" data-large-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?fit=474%2C338\" class=\"size-full wp-image-15680\" src=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?resize=474%2C338\" alt=\"First adjust variation. Using Lightroom, I inserted a digital graduated filter to bring in sky detail and improve color saturation, while making over all adjustments to contrast. I also cropped the image slightly to minimize the intrusive visual elements on the left.\" width=\"474\" height=\"338\" srcset=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?w=2367 2367w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?resize=205%2C146 205w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?resize=709%2C506 709w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?resize=1022%2C729 1022w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?w=948 948w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?w=1422 1422w\" sizes=\"(max-width: 474px) 100vw, 474px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-15680\" class=\"wp-caption-text\">First adjusted variation. Using Lightroom, I inserted a digital graduated filter to bring in sky detail and improve color saturation, while making over all adjustments to contrast. I also cropped the image slightly to minimize the intrusive visual elements on the left.<\/figcaption><\/figure>\n<figure id=\"attachment_15678\" aria-describedby=\"caption-attachment-15678\" style=\"width: 2361px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"15678\" data-permalink=\"http:\/\/briansolomon.com\/trackingthelight\/acela-sunset-miracles-of-digital-by-working-with-a-raw-file\/acela_2170_at_madison_mod2_dscf8527\/\" data-orig-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD2_DSCF8527.jpg?fit=2361%2C1693\" data-orig-size=\"2361,1693\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;X-T1&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1465355691&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;27&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.002&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Acela_2170_at_Madison_MOD2_DSCF8527\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Second adjusted variation: My overall work was similar to the first adjusted image (above) except I lightened the shadow areas. This is an interesting example of an illustration, but really doesn&#8217;t convey how the scene appeared to me, as the trees to the left of the Acela were really pretty dark. In other words I&#8217;ve over compensated. This does show the level of information captured by the camera.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD2_DSCF8527.jpg?fit=709%2C508\" data-large-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD2_DSCF8527.jpg?fit=474%2C340\" class=\"size-full wp-image-15678\" src=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD2_DSCF8527.jpg?resize=474%2C340\" alt=\"Second adjusted variation: My overall work was similar to the first adjusted image (above) except I lightened the shadow areas. This is an interesting example of an illustration, but really doesn't convey how the scene appeared to me, as the trees to the left of the Acela were really pretty dark. In other words I've over compensated. This does show the level of information captured by the camera.\" width=\"474\" height=\"340\" srcset=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD2_DSCF8527.jpg?w=2361 2361w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD2_DSCF8527.jpg?resize=205%2C147 205w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD2_DSCF8527.jpg?resize=709%2C508 709w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD2_DSCF8527.jpg?resize=1022%2C733 1022w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD2_DSCF8527.jpg?w=948 948w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD2_DSCF8527.jpg?w=1422 1422w\" sizes=\"(max-width: 474px) 100vw, 474px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-15678\" class=\"wp-caption-text\">Second adjusted variation: My overall work was similar to the first adjusted image (above) except I lightened the shadow areas. This is an interesting example of an illustration, but doesn&#8217;t really \u00a0convey how the scene appeared to me at the time of exposure: \u00a0the trees to the right\u00a0of the Acela were \u00a0pretty dark. In other words I&#8217;ve over compensated in my interpretation. It\u00a0\u00a0does show the level of information captured by the camera.<\/figcaption><\/figure>\n<figure id=\"attachment_15677\" aria-describedby=\"caption-attachment-15677\" style=\"width: 2449px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"15677\" data-permalink=\"http:\/\/briansolomon.com\/trackingthelight\/acela-sunset-miracles-of-digital-by-working-with-a-raw-file\/acela_2170_at_madison_mod4_dscf8527\/\" data-orig-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD4_DSCF8527.jpg?fit=2449%2C1633\" data-orig-size=\"2449,1633\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;X-T1&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1465355691&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;27&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.002&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Acela_2170_at_Madison_MOD4_DSCF8527\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Third adjusted variation. Instead of using a graduated filter, as with the first two adjusted images, I made all my changes globally (in other words equally to the whole image area). I brought down the highlights, darkened the overall exposure, while nominally lightening the shadow regions to keep them from becoming too dark. I ever slo slightly boosted the saturation. While a little darker than the other images, this was is closest to what I saw at the scene. (Also, notice I&#8217;ve run this image full frame without cropping).&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD4_DSCF8527.jpg?fit=709%2C473\" data-large-file=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD4_DSCF8527.jpg?fit=474%2C316\" class=\"size-full wp-image-15677\" src=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD4_DSCF8527.jpg?resize=474%2C316\" alt=\"Third adjusted variation. Instead of using a graduated filter, as with the first two adjusted images, I made all my changes globally (in other words equally to the whole image area). I brought down the highlights, darkened the overall exposure, while nominally lightening the shadow regions to keep them from becoming too dark. I ever slo slightly boosted the saturation. While a little darker than the other images, this was is closest to what I saw at the scene. (Also, notice I've run this image full frame without cropping).\" width=\"474\" height=\"316\" srcset=\"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD4_DSCF8527.jpg?w=2449 2449w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD4_DSCF8527.jpg?resize=205%2C137 205w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD4_DSCF8527.jpg?resize=709%2C473 709w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD4_DSCF8527.jpg?resize=1022%2C681 1022w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD4_DSCF8527.jpg?w=948 948w, https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD4_DSCF8527.jpg?w=1422 1422w\" sizes=\"(max-width: 474px) 100vw, 474px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-15677\" class=\"wp-caption-text\">Third adjusted variation. Instead of using a graduated filter, as with the first two adjusted images, I made all my changes globally (in other words equally to the whole image area). I brought down the highlights, darkened the overall exposure, while nominally lightened the shadow regions to keep them from becoming too dark. I ever so slightly boosted the saturation. While a little darker than the other images, this was is closest to what I saw at the scene. (Also, notice that \u00a0I&#8217;ve run this image full frame without cropping).<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><span style=\"color: #0000ff;\">Tracking the Light<\/span> <span style=\"color: #3366ff;\">displays new images<\/span> <span style=\"color: #0000ff;\">each<\/span> <span style=\"color: #00ccff;\">and every day!<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The long days make for photographic opportunity. While modern digital cameras have the ability to capture scenes previously out of reach with film. Yet, sometimes there\u2019s still work to be done after the fact. The other day, Pat Yough and I were exploring locations along Amtrak\u2019s former New Haven Shoreline at Madison, Connecticut. &nbsp; \u201cHeadlight!\u201d &hellip; <a href=\"http:\/\/briansolomon.com\/trackingthelight\/acela-sunset-miracles-of-digital-by-working-with-a-raw-file\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Acela Sunset: Miracles of Digital by working with a RAW File.<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":15680,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"yes","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[10,48],"tags":[3786,2801,37,3596,3597,92,3598],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/briansolomon.com\/trackingthelight\/wp-content\/uploads\/2016\/06\/Acela_2170_at_Madison_MOD1_DSCF8527.jpg?fit=2367%2C1689","jetpack_shortlink":"https:\/\/wp.me\/p2BVuC-44V","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts\/15681"}],"collection":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/comments?post=15681"}],"version-history":[{"count":5,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts\/15681\/revisions"}],"predecessor-version":[{"id":15729,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/posts\/15681\/revisions\/15729"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/media\/15680"}],"wp:attachment":[{"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/media?parent=15681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/categories?post=15681"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/briansolomon.com\/trackingthelight\/wp-json\/wp\/v2\/tags?post=15681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}