In August 1984, I was on a big solo rail adventure. Among the places I visited by train was Montreal.
My friend Brandon Delaney had recommended Dorval as a place to watch trains. Here, double-track Canadian Pacific and Canadian National mainlines ran parallel to each other and there was a continuous parade of freight and passenger trains.
On August 14th, I traveled out on commuter train from Windsor Station and spent several hours soaking up the action.
Among the trains I photographed was this eastbound VIA RDC set on the CN heading for Central Station.
I’d positioned myself where the codelines crossed from the north-side to the south-side of CN’s line. This was my clever compositional trick that makes for a more interesting photograph by focusing the eye toward a secondary horizon.
Sometimes electrical wires are placed in inconvenient positions.
In this photograph from a highway overpass near Port Cartier, Quebec, road-side electrical cables resulted in an unfortunate visual obstruction to what would otherwise be an ideal vantage point looking toward the Gulf of the St. Lawrence.
I made this image on my photography adventure to the Cartier Railway with George Pitarys and Bill Linley in July 1997.
A loaded iron ore train was headed from the mines toward the port for trans-loading on to ships. Low evening light accentuated the hues of the water in the distance. The distant searchlights and ship on the water provide added interest.
The other day, Adam Bartley and I were discussing railway operations and locomotives in Canada, which reminded me of an epic trip I took with George Pitarys and Bill Linley back in 1997.
We drove to Port Cartier, Quebec, a port on the Gulf of the St. Lawrence, and spent several days photographing the isolated Cartier Railway, which moved exceptionally heavy iron ore trains using vintage six-motor Alco and MLW diesels.
Tracks traversed a Canadian National park and this was as close to true wilderness as I’d been up to that time. Other than the railroad and a dirt road that ran parallel, there was virtually no other human activity. No houses, no towns, no restaurants, stores, or anything.
This view of a southward loaded train was exposed on Kodachrome 25 at milepost 21 (as measured from the port). At the time I was using a Nikon N90S with an f2.8 80-200mm Nikon zoom lens.