Earlier this month I exposed this view of Amtrak train 57 on the move crossing a fill on the Connecticut River Backwater just south of Brattleboro, Vermont.
There was soft directional lighting with a textured sky. To better balance the exposure I worked with an external graduated neutral density filter positioned over the front element of the lens with the darkest portion of the filter ever the sky.
I’m not entirely satisfied with the results, but the filter helped.
Luckily, I also exposed a black & white photo that I hope to process with my next batch of film!
On the afternoon of November 14, 2018, I exposed this view from the east bank of the Connecticut River looking across toward Windsor Locks as Amtrak’s northward Vermonter crossed the circa 1906 New Haven Railroad-built bridge.
To help balance the contrast and better retain detail in the sky, I used an external graduated neutral density filter made by Lee Filter.
This is a 0.9ND or three stops grad filter.
In addition, I adjusted the camera RAW file to maximize highlight and shadow detail, control contrast and improve saturation.
Since 1986, the interlocking east of Palmer at the east-end of the dispatcher’s controlled siding has been known on the railroad as ‘CP79’ which describes it as a ‘control point (remote control power switches and signals) 79-miles west of Boston’.
Friday, morning (June 22, 2017), I anticipated a westward freight just after sunrise, and set up looking across the farmer’s field west of CP79, looking toward the rising sun.
Working with an external graduated neutral density filter, I carefully exposed a sequence of photos, including pictures with the train. Then working with the camera RAW files in Lightroom, I manipulated contrast, exposure, color temperature and color balance, to make for better balanced more pleasing photos.
With extreme lighting conditions I find that post processing is a necessary, if tedious, part of the photographic process.