Category Archives: digital photography

Greenfield, Massachusetts: Pan Am’s EDRJ on the move!


As we drove north on Route 5, I said to Mike Gardner, “It’s 2:30, EDRJ should be getting organized to head west.” At that very moment, the scanner squawked:

“EDRJ, proceed west on signal indication.”

That was timely!

So we went to my old standby location in Greenfield. We had enough time to set up, when the chug of vintage General Electric diesels announced the approach of EDRJ.

I made these views with my FujiFilm XT1 with 27mm pancake lens.

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Misty 220 degree Panoramic View at Peach Tree Station, Atlanta.

If you are not viewing on Briansolomon.com, click the link to Tracking the Light for the FULL view!

A misty morning greeted Amtrak number 19, the Crescent, Sunday December 16, 2018.

I walked to the front of the train during our extended stop and exposed this 220 degree panoramic composite view using my Lumix LX7.

Using a preset in the ‘SCN’ mode, the camera automatically stitches together a series of photos exposed in rapid succession to make for a broad panoramic image.

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Live from Amtrak’s Crescent.

Live from Amtrak’s Crescent.

This evening we boarded Amtrak’s Crescent, train 19,at Wilmington, Delaware. 

Although, dull and about to drizzle, I made this late afternoon photos at the former Pennsylvania Railroad station using my Lumix LX7 and FujiFilm XT1.’

Lumix LX7 photo at Wilmington, Delaware.
Amtrak train 156; Lumix LX7 photo at Wilmington, Delaware.
Amtrak ACS64 651 on train 156; Lumix LX7 photo at Wilmington, Delaware.
Train 161 at Wilmington, Delaware. Lumix LX7 photo.
Wilmington, Delaware. Lumix LX7 photo.
Amtrak’s Crescent at Wilmington. FujiFilm XT-1 with 12mm Zeiss Touit.
Viewliner sleepers on Amtrak’s Crescent at Wilmington. FujiFilm XT-1 with 12mm Zeiss Touit.
Hall of mirrors! FujiFilm XT-1 with 12mm Zeiss Touit. 

I’ve adjusted the camera RAW files in Lightroom to boost color saturation and contrast in an effort to improve the overall appearance of the photos.

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Delaware Railway Relics—December 15, 2018.

It hasn’t been a bright day, but I don’t visit northern Delaware very often, and in my short visit I made the most of my time investigating some railway vestiges.

Eric Rosenthal brought my dad and I to inspect sights on the Wilmington & Western on our way to catch Amtrak’s Crescent at Wilmington’s Amtrak Station.

I made these views using my Lumix LX7 and then processed the RAW files on my MacBook. To upload the images I set up a personal ‘hot spot’ on my iPhone and linked the MacBook via WiFi.

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Inky Gloom at Wilmington, Delaware.

Last night a damp inky gloom greeted us as we alighted from Amtrak’s Vermonter at the former Pennsylvania Railroad station at Wilmington, Delaware.

A SEPTA Silverliner V electric multiple unit set sat on the opposite platforms waiting to depart for Philadelphia.

I made several exposures with my Lumix LX7. Working with the RAW files in Lightroom, I maximize the amount of visual information in the photos by lightening shadows and darkening highlights while adjusting contrast and color saturation.

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Engine Change at New Haven.

It’s the ‘blue hour’ at New Haven, Connecticut.

Amtrak’s Vermonter is one of a few trains that still changes engines at New Haven, as result of it running through from non-electrified territory to the north.

In the case of Amtrak 55, the common GE-built P42 diesel (number 192) was exchanged for a Siemens-built ACS-64 high-voltage electric. 

Amtrak added a coach to the front of the train too. A wise move considering how crowded this train is.

Working with my FujiFilm XT1, I set the camera to ISO 1600 and the white balance to ‘auto’, and made some photos from the platform during our 24-minute pause at New Haven Union Station.

Many years ago, my late friend Bob Buck recalled to me a story of a child gazing out the window at the steam, smoke and wires, “Pa, is this hell?” “No son, this is New Haven!”

Video uploaded from my iPhone.

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Posting Live from Amtrak Train 55!

I’m traveling toward Wilmington, Delaware aboard Amtrak Train 55, the southward Vermonter. 

The train is now approaching its station stop at Meriden, Connecticut.

It was announced that from Hartford the train was completely sold out. Thus demonstrating that old adage no one rides trains anymore because they’re too crowded!

I exposed these photos with my FujFilm XT1 fitted with a Zeiss 12mm Touit lens.

As we roll along, the files were downloaded to my MacBook using Image Capture software, scaled for internet using Lightroom, and uploaded via Amtrak’s WiFi to WordPress for presentation on Tracking the Light.

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Millers Falls High Bridge—Two Views.


Why make one photo and when you can get two?

I like to work with more than one form of media.

In this instance, New England Central’s southward 611 (Brattleboro to Palmer turn) was crawling across the antique Millers Falls Highbridge in its namesake Massachusetts town.

My vantage point was the 2007-built Route 63 highway bridge.

This is more than a century newer than the parallel railway span.

First I exposed a burst of digital photos using my FujiFilm XT1 fitted with 90mm lens. Then I made a single black & white photo on HP5 using a Nikon F3 with 50mm lens.

By design the black & white view is textured. I realize that black & white doesn’t appeal to everyone, yet I’ve worked in black & white for my entire life, and I often find my traditional film photos more interesting to look at than the digital images.

And that is why I do both.

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CTrail 6695 on the Move.

On the evening of December 4, 2018, I panned CTrail train 4461 led by engine 6695 at the new Berlin, Connecticut station.

Berlin is brightly lit and makes for a good vantage point to watch and photograph passenger trains on the Hartford Line.

To make this pan photo, I set the shutter speed at 1/30thof second, fixed a point in my view finder and moved my camera and body in parallel with the train in a smooth unbroken motion as it arrived at the station.

New Haven bound Trail 4461 arrives at Berlin, Connecticut on December 4, 2018.

Panning is a great means to show a train in motion.

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Views from the Lake Shore Limited at Rochester, New York.

View from Amtrak 48 at Rochester’s new station. 

Heading east on the back of Amtrak’s Lake Shore Limited,  I exposed these views from the dutch doors of Silver Splendorat Rochester, New York on its cross country journey.

Photographer, Otto Vondrak caught us at the Rochester station,  a place much changed from my visits here in the 1980s.

A westward CSX local meets Amtrak in Rochester, New York. Lumix LX7 photo.

FujiFilm XT1 photo of a westward CSX local freight.

FujiFilm XT1 photo of a westward CSX local freight.

CSX local at Goodman Street Yard in Rochester. FujiFilm XT1.
Amtrak 48 at Goodman Street Yard, Rochester, New York.

Seeing the ‘new’ Rochester from the windows of the train was a bit surreal.

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Dynamic View of Chicago Departing Union Station.

I exposed this photo from the back of Silver Splendor as it rolled eastward on Amtrak no48, the Lake Shore Limited.

 For this photo I used my Lumix LX7, and by using a slow shutter speed I allowed the tracks to melt into a sea of motion blur.

Exposure details: f1.6 at 1/5thof a second. Camera steadied by the passenger car.

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Burlington’s Zephyr on Display

Chicago, Burlington & Quincy’s famous Zephyr is one of the most significant trains of the 20thCentury.

In November, I photographed the preserved Zephyr at the Chicago Museum of Science and Industry, where the historic train set is proudly display in the lobby.

It was great to see the Zephyr in person again. Last time I saw the train back in the 1990s, it was undergoing a thorough cosmetic restoration in Wisconsin.

I’ve written extensively about the Zephyr, describe the train’s context, history and technology.

The Zephyr set important technological precedents. For propulsion, it was the first train powered by the Winton 201 diesel engine, which made it America’s first diesel-powered streamliner—a bit of trivia that might have been less important if the diesel had not ultimately vanquished steam. From a streamlined perspective it was significant as well. The body was the work of Philadelphia-based Edward G. BuddCompany and was constructed from shot-welded stainless-steel using Budd’s proprietary welding technique developed for automobile construction—From my book Streamliners—Locomotives and Trains in the Age of Speed and Style.

You can buy my book from Amazon see:

https://www.amazon.com/Streamliners-Locomotives-Trains-Speed-Style/dp/0760347476

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Chicago Metra in Transition—November 2018

In recent months, Chicago Metra has been painting its older EMD diesels in a modern livery.

My first experience seeing these old engines in new dress was approaching Chicago Union Station on Amtrak number 4.

I made these views ‘on the fly’ from the dutch door of former Burlington Vista Dome Silver Splendor(nee Silver Buckle) that was rolling over old home rails on the last lap of the run from Los Angeles.

I worked with my FujiFilm XT1 fitted with a 18-135mm zoom lens, which gave me necessary compositional flexibly as the scenes rapidly changed.

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Amtrak’s Southwest Chief Sunrise at Argentine, Kansas.

Two weeks ago Amtrak’s Southwest Chief greeted a frosty sunrise at BNSF’s sprawling Argentine Yards, west of Kansas City.

I made these digital photographs from the dome and vestibule of Silver Splendor,the former CB&Q Vista-Dome in which I was traveling cross-country.

A rosy sunrise tints my perspective; it sure made this famous yard look like a neat place.

BNSF westbound at Argentine Yard.

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Dusk at Raton, New Mexico.

These days the only regular trains to use the old Santa Fe Raton Pass crossing are Amtrak 3 and 4, the Southwest Chief. The days of helpers over the three percent are all but a memory.

This day two weeks ago: Arriving on No.4, we had more than ten minutes at Raton to stretch our legs and take in the mountain air.

I used the opportunity to make some twilight images of Silver Splendor, the Budd-built Vista-Dome that I was traveling on.

Working with my FujiFilm XT1 and Zeiss 12mm Touit lens, I exposed several views in the blue glow of evening. Dusk is a great time to balance the light inside the passenger car with outside illumination.

f2.8 1/15th of a second, ISO 1600.

f3.6 1/15th of a second, ISO 1600.

f3.2 1/15th of a second, ISO 1600.

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Semaphores on the Santa Fe—Five Photos.

Between Albuquerque and Raton Pass (on the New Mexico-Colorado state line) I counted three bastions of Union Switch & Signal style-T2 upper quadrant semaphores on our journey over the former Santa Fe in Vista-Dome Silver Splendor.

I watched the blades drop from the vertical as we passed—a scene I’d not witnessed for many years.

The view of a semaphore dropping from ‘clear’ to ‘stop and proceed’ as seen from Vista Dome Silver Splendor on Amtrak’s Southwest Chief.

Lumix LX7 photo near Las Vegas, New Mexico.

East of Las Vegas, New Mexico. FujiFilm XT1 photo.

FujiFilm XT1 photo.

FujiFilm XT1 photo.

In 2018, these signals represent the last large collections of active semaphores on any North American mainline.

The Style T2 was detailed in my book Classic Railroad Signals in a sidebar titled ‘Sante Fe Semaphores Survive in New Mexico’ by John Ryan and the late John Gruber.

Classic Railroad Signals was published by Voyageur Press in 2015. It is available at:

https://www.quartoknows.com/books/9780760346921/Classic-Railroad-Signals.html?direct=1

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Relics at Lamy, New Mexico—November 2018.

As we approached our station stop Lamy, New Mexico, I relocated from Silver Splendor’s dome, where I’d been enjoying the old Santa Fe mainline journey at the head-end of Amtrak’s Southwest Chief, tothe car’s dutch doors to make photos of antique equipment stored line-side near the station.

The ability to photograph from opened dutch doors is a rare pleasure on modern trains.

In my youth, I’d spent hours soaking in the atmosphere in the vestibules of trains, making photos with my old Leica 3A.

Santa Fe Southern at Lamy, New Mexico.

Santa Fe Southern at Lamy, New Mexico.

Lamy station, New Mexico.

Amtrak station Lamy, New Mexico.

I exposed these modern photos using my FujiFilm XT1.

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Rail Runner at Albuquerque—November 2018

‘I shudda taken that left turn at Albuquerque’—Bugs Bunny.

I always associate Albuquerque with the Warners Brothers Cartoons.

So it seems appropriate that the New Mexico suburban train is called the Rail Runner and features a stylized cartoon bird on its side.

Not my finest effort, but it shows the cartoon bird on the side of the Rail Runner. Lumix LX7 photo.

‘Beep! Beep!

I exposed this view from the vestibule of dome car Silver Splendoron Amtrak’s Southwest Chief paused at the Albuquerque station

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New Mexico Revisited: Soaking in BNSF’s Transcon on the Move.

It had been more than 20 years since my last visit to New Mexico. This was my first by rail.

I was on my way east with Dave and Rhonda Swirk and Derek Palmieri of New Hampshire’s Conway Scenic Railroad, documenting  Budd Vista-Dome Silver Splendor on its journey from Los Angeles to its new home in New Hampshire’s White Mountains.

As we glided east at the head-end of Amtrak number 4 theSouthwest Chief,we met or overtook dozens of freights, many of them intermodal trains, on BNSF’s former Santa Fe Transcon.

Wow, BNSF sure runs a lot of freight!

Dave Swirk enjoys breakfast near Gallup, New Mexico. Exposed using a FujiFIlm XT1.

View from Silver Splendor near the Arizona-New Mexico state line.

BNSF westward freight near the Gallup, NM station .FujiFilm XT1.

BNSF eastward freight as seen east of Gallup. Lumix LX7 photo.

BNSF’s former Santa Fe has several long sections of split alignments, where mainline tracks are not adjacent. A westward freight can be seen off in the distance to the north of Amtrak No. 4. Lumix LX7 photo.

BNSF westward intermodal freight. FujiFilm XT1 photo.

BNSF westward intermodal freight. FujiFilm XT1 photo.

Amtrak No.4 paused at Marmon, NM for traffic to clear. FujiFilm XT1 photo.

I exposed these photos digitally using my Lumix LX7 and FujiFilm XT1.

Part of the challenge of making photos of trains from the train is trying to compose while in motion of moving subjects. Not only does this make if difficult to level the camera, but it leads to motion blur and other potential defects.

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Brief Barstow Visit and a Flash From the Past.

Amtrak’s eastward Southwest Chief, train number 4, made a relatively long stop at Barstow, California, affording me time to explore and photograph historic rolling stock (displayed near the platforms) by the Western America Railroad Museum.

I find it strange to see once-familiar locomotives exhibited as static displays. In the 1990s, I regularly photographed Santa Fe’s FP45, such as number 95 seen at Barstow. Back then these were working machines. Today, 95 a decayed appearing vestige of another era.

Compare the static equipment—displayed like dinosaur bones to a curious public—with Budd Vista dome Silver Splendorin consist on the Southwest Chief.The dome is a functional piece of equipment on its transcontinental journey from Los Angeles to its new home.

Growing up in New England, I had a childhood fascination with Barstow, which I viewed as a treeless desert Mecca of all good things Santa Fe. Although I’ve photographed in Barstow several times over the years, this one short nocturnal visit was especially surreal.

All photos were made handheld with my FujiFilm XT1 with 12mm Zeiss Touit.

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Inky Gloom and Artificial Light: Metrolink at Riverside California.

I exposed these views using my FujiFilm XT1 with 12mm Zeiss Touit lens.

Key to my success was the high ISO setting (ISO 5000) and auto white balance setting that adjusted and balanced myriad artificial light sources.

Lacking a tripod, I positioned and steadied the camera on the half open ‘dutch door’ of private passenger car Silver Splendor as it was paused across from the Metrolink train storage sidings in Riverside, California.

My exposures were about 1/2 second at f2.8 (ISO 5000).

To make the most of the photos, I imported the camera RAW files into Lightroom and adjusted highlights and shadows to make for more pleasing final images.

November 17, 2018, Riverside, California.

November 17, 2018, Riverside, California.

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Tracking the Light Extra: Fullerton by Night—Dome Car on the Southwest Chief.

Saturday evening, November 17, 2018, Amtrak’s Southwest Chief—train number 4—made its scheduled station stop at Fullerton, California, its first after departing Los Angeles Union Station.

Budd Vista Dome Silver Splendor  was in consist on its big trip east.

The dome was met by some of its California fans who waited trackside to see it off on its journey.

Silver Splendor was making the trek to its new home on the East Coast after many years entertaining travelers in the West.

Amtrak’s Southwest Chief, train no.4, pauses at Fullerton, California.

Former Chicago, Burlington & Quincy Budd-built Vista Dome on Amtrak’s Southwest Chief at Fullerton, California on November 17, 2018.

Fullerton, California.

A view East on the old Santa Fe at Fullerton. Seven hours earlier I’d been making photos from that footbridge.

I exposed these views hand-held using my FujiFilm X-T1.

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Fullerton by Day: Metrolink from LA.

On November 17, 2018, I made this view of Metrolink train 662 eastbound on the old Santa Fe at Fullerton, California.

To make the most of the palm trees that line the platforms, I cross-lit the train, exposing from the north-side of footbridge over the line.

Metrolink’s white locomotive hauling a mix of white and  stainless-steel cars effectively reflect light on the shadow side of the train, which make for a more even exposure and help balance the photograph by compensating for the otherwise inky darkness of the high-sun shadows.

These views are looking west . I used a telephoto lens that compresses the row of palms.

Some seven hours after I made this image, I was back at Fullerton again. Stay tuned for my nocturnal views from the same station.

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Silver Splendor at Los Angeles Union Heading East on Number Four.

One week ago, former Chicago Burlington & Quincy Budd-built Vista dome Silver Splendor (originallySilver Buckle) was positioned behind the baggage car on Amtrak’s Southwest Chief, train number four.

This elegant stainless steel streamlined car was about to embark on a transcontinental journey towards its new home.

Amtrak 87 leads train no.4 waiting to depart Los Angeles on Saturday August 17, 2018.

Photos exposed using a FujiFilm XT1 with 12mm Zeiss Touit lens.

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Palms, Sun and Glass: Anaheim Regional Transportation Intermodal Center.

I prefer the term  ‘Anaheim Station’.

Last week, working with my FujiFilm XT1 with 12mm Zeiss Touit lens, I exposed these digital photos of one of California’s most modern, and most impressive railway stations.

This is such an impressive looking building that I drove past it while I was trying to find it!

Slightly diffused mid-morning sun made for nearly ideal lighting to make the most of this facility.

Would front lighting make for a better photo?

Anaheim Regional Transportation Intermodal Center is abbreviated ‘ARTIC’.

Backlit diffused sun with overhead skylights made for a difficult exposure.

View with a 12mm Touit lens.

Footbridge to go from the station building to the Metrolink platforms.

Amtrak Pacific Surfliner, train 1565, paused at Anaheim. 12mm Touit view.

Do you have any favorites?

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Metrolink Pacific Sunset.

Last Friday, November 16, 2018, as the sun dropped near the horizon and a layer of cloud and haze filtered the light, I repositioned myself from San Clemente Pier, northward to the Metrolink Station at San Clemente, California.

I selected my location in order to make photos of a southward, Oceanside-bound suburban train with the sun setting over the Pacific.

Working with my FujiFilm XT1 fitted with a 12mm Zeiss Touit lens, I exposed several sunset silhouettes as the train arrived onto the station platform.

To make the most of the sunset lighting, I exposed manually for the sky, allowing the locomotive and cars and other terrestrial objects to appear dark.

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Blasted Charger on the Beach: What to do when you over expose.

I was hoping to make a photo of one of Amtrak’s new Siemens Charger locomotives working the Pacific Surfliner.

I typically set my FujiFilm XT1 digital camera manually.

Most of the time this works well, as I gauge my exposures using the in-camera histogram. However, I’d become distracted immediately before the train arrived in the scene, and I grossly over exposed my sequence of photos.

Luckily, since I typically expose both RAW and JPG files I was able to work with the overexposed RAW image and correct for some of my exposure error using Lightroom.

Below are examples of the overexposed camera JPG and corrected RAW files, as well as a screen shot of the Lightroom work panel showing the position of exposure, contrast, and saturation control sliders into order to show how I successfully corrected the photo.

This is the unadjusted camera JPG which shows the degree of overexposure.

This is my first version of the restored image, a Lightroom produced scaled JPG created from the camera RAW file. Notice how I was able to extract highlight detail all but lost in the Camera JPG above.

My refined restored version of the over exposed photo.

Here’s the screen shot of my Lightroom work window. Notice the positions of the adjustment slider controls and histogram.

This is what some might call ‘Fixing it in Photoshop’, although I used Photoshop’s cousin, ‘Lightroom’, rather than the classic program.

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4 Views: Los Angeles Metrolink at San Clemente Pier, California.

Just a few views of Metrolink trains on the old Santa Fe Surf Line at San Clemente, California.

California evening sun, surf and palm trees make for a nice light in a pleasant setting.

I exposed these photos from San Clemente Pier last Friday.

Using an 18-135 zoom lens gave me the needed flexibility to adjust my field of view as the trains passed.

Metrolink train 641 at San Clemente.

Los Angeles Metrolink train 641 at San Clemente, California.

Los Angeles Metrolink train 641 at San Clemente, California.

Los Angeles Metrolink train 609 at San Clemente, California.

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BNSF Stack Train at Fullerton, California—November 2018.

The triple-track mainline at Fullerton, California is a great place to watch and photograph trains.

In addition to a steady procession of transcontinental container traffic, Amtrak and Metrolink passenger trains operate over the line and make stops at the old Santa Fe station.

Centralized Traffic Control with bi-directional signaling on all three lines allows dispatchers flexibility to route trains in either direction over any mainline track. There are crossovers immediately east of the station platforms.

The challenge of photographing from the pedestrian bridge is navigating the wire mesh. While my Lumix LX7 with its small diameter lens did a better job of getting through the fence, I opted for my Fuji camera because I wanted a longer telephoto lens to bring in the stack train which had stopped on the middle line waiting for a signal.

BNSF Stack Train at Fullerton, California. I made this view on Friday November 16, 2018 using my FujiFilm XT1 with a 18-135mm Fujinon zoom lens.

I made this view on Friday November 16, 2018 using my FujiFilm XT1 with a 18-135mm Fujinon zoom lens.

Trailing view of the eastward double stack at Fullerton featuring locomotives working remotely as ‘Distributed power’ at the back of the train.

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Vermonter Crosses the Connecticut at Windsor Locks

On the afternoon of November 14, 2018, I exposed this view from the east bank of the Connecticut River looking across toward Windsor Locks as Amtrak’s northward Vermonter crossed the circa 1906 New Haven Railroad-built bridge.

To help balance the contrast and better retain detail in the sky, I used an external graduated neutral density filter made by Lee Filter.

This is a 0.9ND or three stops grad filter.

In addition, I adjusted the camera RAW file to maximize highlight and shadow detail, control contrast and improve saturation.

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Los Angeles Green Line at LAX

After arrival at LAX (Los Angeles International Airport), I made my way to the Metrorail light rail station.

You have to take the LAX ‘G’ bus to get there.

Buying the fare took a bit of skill.

This photo was exposed in ‘Scene-mode, night photo’. It is a composite image created digitally.

Once up on the platforms, which are elevated high above ground level at the Aviation-LAX station, I made a few photos of passing trains using my tired and battle work LUMIX LX7. Then I boarded a Green Line train to change for the Blue.

I processed these photos using  Adobe Lightroom.

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Morning Freight on the old Boston & Maine.

On the morning of November 14, 2018, I made these views of Pan Am Railway’s EDPO (East Deerfield to Portland, Maine manifest freight) crossing the Connecticut River as it left it’s western terminus on the old Boston & Maine Railroad Fitchburg route.

This side-lit scene benefitted from diffused directional light and a textured sky.

FujiFilm XT1 set for Velvia color profile with 18-135mm zoom lens.

FujiFilm XT1 set for Velvia color profile with 18-135mm zoom lens.

I exposed the photos using my FujiFilm XT1 and processed the RAW files to reveal maximum shadow and highlight detail while emphasizing the rich morning light.

Tracking the Light is on Auto Pilot while Brian Solomon is Traveling.

Tracking the Light aims to Post new material Daily.

Tracking the Light Extra! Pan Am Railways Office Car Train Today.

This morning (November 14, 2018), I traveled with my old friends Paul Goewey and John Peters to make photographs of Pan Am Railway’s office car train.

The OCS began its run at East Deerfield Yard for its run down the Connecticut River Line to Springfield and Hartford Line toward Berlin and then to Plainville, Connecticut.

A gust of wind kicks up the dust at East Deerfield Yard filtering the back lit morning sun. Exposed using a FujiFilm XT1 with 18-135mm zoom lens.

Exposed using a FujiFilm XT1 with 18-135mm zoom lens.

Normally the bastion of Pan Am’s well-kept FP9s, today the OCS ran with GP40s because of the need to have cab-signal equipped/Positive Train Control compliant locomotives on Amtrak’s Hartford line and related connections.

Exposed using a FujiFilm XT1 with 18-135mm zoom lens.

I made these backlit photos in the morning from the old ‘East Deerfield Railfan’s Bridge’, a span soon to be replaced as the new bridge is nearing completion.

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Berlin at Night.

Last night, November 12, 2018, my father and I paid a visit to the new Berlin, Connecticut station to collect a visitor from Amtrak 412.

The train was running behind the advertised, which gave me time to make a few photos of the well-lit modern facility.

Ground level view of the new Berlin, Connecticut station. I steadied the Lumix LX7 by resting it on the curb stones.

Amtrak train 412 pauses to let off two passengers at Berlin. Wide-angle view with a Lumix LX7.

Amtrak train 412 pauses to let off two passengers at Berlin. Slightly tighter view.

Pan of the Amtrak P42 diesel working at the back of train 412.

I featured Berlin back in June at the time of the CTrail Hartford Line commuter train start up.

See: TEN photos: All-New Berlin Station—Connecticut, that is!

Also see: Berlin, Connecticut Revisited.

These photos were exposed using my resuscitated Lumix LX7. I worked in RAW and adjusted the files in post processing to optimize highlight and shadow placement, present more pleasing contrast, and improve color saturation.

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