1986 was a transitional year.
Boston & Maine was making its image transition to Guilford. While Guildford’s B&M acquisition had occurred a few years earlier, many B&M locomotives still retained their B&M blue paint. This period of transition on the railroad coincided with transitions in the way I made photos.
Here a pair of GP7s was leading the southward EDSP at Keets Road in Deerfield, a short distance south of Deerfield Junction. Notice the small stenciled Guilford ‘G’ on the short-hood of the locomotive.
I’d recently discovered the superior qualities of Kodachrome 25. While very slow, this yielded great color, exceptionally fine grain, and about 2 ½ stops of exposure latitude.
For this slide, I had my Leica IIIA mounted to a Visoflex fitted with my father’s 200mm Leitz Telyt. This seemingly Rube-Goldberg inspired arrangement was klutzy compared with a conventional single lens reflex, it allowed me to use telephoto lenses and gave me an ability to selectively pinpoint my focus. The nature of the Visoflex screen did not encourage focusing on a central point.
As previously described on Tracking the Light, I often use focus to direct the viewers eye in relation to my compositions, while allowing portions of the image to be less than pin sharp, which can produce a pleasing effect too often lost with modern hyper-sharp digital photography. The combination of a long lens with slow film produced endless opportunity for focus experimentation.
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