Grand Central Terminal—From A Different Angle.

Working with a Leica and Visoflex reflex-viewing attachment mounted on a tripod, I exposed this Kodak Kodachrome 64 slide with a 200mm Leitz Telyt telephoto lens.

Looking toward the skylights of New York Central’s architectural masterpiece.

I calculated the exposure using an old GE handheld light meter, which I promptly dropped on the floor of the famous New York City terminal, destroying the device’s sensitive electro-mechanical photocell and needle.

That was back in 1986.

It turned out that my meter had been giving me hot readings. After I bought a new meter a couple of days later, I began obtaining more accurate daylight readings and better overall Kodachrome exposures.

However, because the meter had been encouraging me to ‘over-expose’ (allow more light to reach the film than I intended), I actually produced a better color slide here at Grand Central Terminal, because slight over-exposure was necessary to balance the lighting and bring out the grandeur of the architecture.

If I’d exposed as I intended, my photo would have appeared darker. So, what makes this photo effective was the result of accidental relative over-exposure. How about that?

Tracking the Light Posts Daily.