Telephoto versus Wide angle: Picturing Irish Rail’s Tara Mines Run at Drogheda.

A few days ago, my daily Tracking the Light post featured a long distance telephoto view of Irish Rail’s Tara Mines zinc ore train crossing the Malahide causeway.

See: Long View: Tara Mines Zinc Ore Train at Malahide. 

In that photo the train is relatively small in a big scene.

Three days later, David Hegarty and I were again out along the old Great Northern line, this time at Drogheda, to photograph the Tara Mines on the move.

In contrast to the distant view in the earlier posting, the photographs displayed here  focus tightly on the locomotive and train using more classic three-quarter angle.

In the top photograph, I used my FujiFilm XT1 with a 90mm fixed telephoto for a tight compressed view (what some photographers might term a ‘telewedgie’).

While in bottom photograph I used my Lumix LX7 with zoom lens set with a wide-angle perspective that approximates the angle of view offered by a 35mm focal length lens on a traditional 35mm film camera.

Exposed using a FujiFilm XT1 with 90mm fixed telephoto lens. Notice the crossovers located on  curved track.
Lumix LX7 wide view.

I prefer the telephoto view for overall appeal; this handles the soft lighting conditions more satisfactorily, focuses more closely on the locomotive and train, minimizes bland elements of the scene such as the ballast and white sky, and offers a high impact image of the train in motion. Also it helps emphasize the trackage arrangement with crossovers between the up and down lines.

Tracking the Light Discusses Railway Photography Daily.

 

 

2 thoughts on “Telephoto versus Wide angle: Picturing Irish Rail’s Tara Mines Run at Drogheda.”

  1. I much prefer the first picture. The wide-angle distortion is terrible – it makes the loco quite disproportionate to the train.

  2. Think you are correct about the telephoto – it compresses and focusses on the detail of the train nicely.

    However, the wide-angle does emphasise the length of the class 70.

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