Narrow Gauge Monochrome—A Different Approach.

Five alternative views of Ireland’s Bord na Mona railway.

Here I’m trying something different: Working with an old Leica IIIa fitted with an ancient screw-mount Nikkor 35mm lens, I exposed some Fomapan 100 black & white film.

Instead of my normal process, I opted to soup the film in Ilford Perceptol. I mixed the stock solution from powder. Recommended development time was 8 minutes, but I cut this to 6 minutes, then after complete processing (stop, fix, hypo-clear and wash) I toned the negatives with a 1-9 Selenium solution to boost highlights (and then rewashed).

It was my first time working with Perceptol; overall I was pleased with the results, which yielded fine grain, broad tonality and a somewhat softer over-all image than what I’d been getting using ID-11.

This camera-lens-film-developer combination seems to have worked well with the rustic Bord na Mona narrow gauge industrial railway. I’ve opted to display a handful of the dozen or so monochrome images I exposed that day.

Tracking the Light takes a different approach today.

2 thoughts on “Narrow Gauge Monochrome—A Different Approach.”

  1. Love the images of that cool narrow gauge line ! What a gem that is ! I loved the soft subtle shades the black and white rendered and yet plenty of contrast . Very nice indeed ! I wish we had a few lines like that ! I happened to come across a short line near Graniiteville Má. for a small quarry there . Your pics reminded me of it .

Comments are closed.