Illustration in Bordeaux-Four New Images.

Illustration versus documentation: Often I set out to document a scene. My process and techniques are focused toward making images that preserve the way a scene or equipment appear. Often, but not today.

Creation of an illustration may not be intended as documentation. An illustration is created to convey a message; perhaps that needed for advertising, art, or publicity.

While photographing in Bordeaux, I found that the juxtaposition of the modern trams against both modern and historic architectural backdrops looked remarkably like artist’s/architect’s impressional drawings.

So, as an exercise in illustration, I’ve intentionally manipulated the camera RAW files to make them appear more like the artist’s impressional drawings, such as those often displayed as visions of the future.



Specifically, I altered the contrast and de-saturated the color palate to mimic a water-color tinted image. I did not destroy the original files, and so I have the benefit of documentation and illustration with the same photos.




Have I done anything fundamentally different here than with images created (augmented) by the manipulation of digital files to produce super-saturated colors, plus intensely contrast adjusted effects that result in dream-like sky-scapes?

Is a posed railway publicity photo that was heavily re-touched by air-brushing or similar alteration to be considered documentation?

In a later post, I’ll explore Bordeaux’s tram network in fully saturated color.

Tracking the Light Posts Daily.

One comment on “Illustration in Bordeaux-Four New Images.

  1. Michael Walsh on said:

    I like the technique. The ohl structures in the first picture are horrible. Much inferior to the tidy and light arrangements applied in Dublin and elsewhere.

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